"Total eclipse!" Saint-Saens has won our admiration for the solemn dignity with which he has invested the penitent confession of the blind hero. But who shall hymn the blindness of Manoah's son after Milton and Handel? From a crowd of captive Hebrews outside the prison walls come taunting accusations, mingled with supplications to God. We recognize again the national mood of the psalmody of the first act. The entire scene is finely conceived. It is dramatic in a lofty sense, for its action plays on the stage of the heart. Samson, contrite, humble, broken in spirit, with a prayer for his people's deliverance, is led away to be made sport of in the temple of Dagon. There, before the statue of the god, grouped among the columns and before the altar the High Priest and the lords of the Philistines. Dalila, too, with maidens clad for the lascivious dance, and the multitude of Philistia. The women's choral song to spring which charmed us in the first act is echoed by mixed voices. The ballet which follows is a prettily exotic one, with an introductory cadence marked by the Oriental scale, out of which the second dance melody is constructed--a scale which has the peculiarity of an interval composed of three semitones, and which we know from the song of the priestesses in Verdi's "Aida":-- [figure: a musical score excerpt] [figure: a musical score excerpt] The High Priest makes mock of the Judge of Israel: Let him empty the wine cup and sing the praise of his vanquisher! Dalila, in the pride of her triumph, tauntingly tells him how simulated love had been made to serve her gods, her hate, and her nation. Samson answers only in contrite prayer. Together in canonic imitation (the erudite form does not offend, but only gives dignity to the scene) priest and siren offer a libation on the altar of the Fish god. [figure: a musical score excerpt] The flames flash upward from the altar. Now a supreme act of insolent impiety; Samson, too, shall sacrifice to Dagon. A boy is told to lead him where all can witness his humiliation. Samson feels that the time for retribution upon his enemies is come. He asks to be led between the marble pillars that support the roof of the temple. Priests and people, the traitress and her dancing women, the lords of the Philistines, the rout of banqueters and worshippers--all hymn the praise of Dagon. A brief supplication to Israel's God-- "And Samson took hold of the two middle pillars upon which the house stood and on which it was borne up, of the one with his right hand and of the other with his left. "And Samson said, 'Let me die with the Philistines.' And he bowed himself with all his might: and the house fell upon the lords and upon all the people that were therein. So the dead which he slew at his death were more than they which he slew in his life." CHAPTER V "DIE KONIGIN VON SABA"