Her mother had a green pillow on her knee, and busied herself with
hand-made net; but her fingers could move the bobbin but slowly;
her sight was feeble, for on her nose there rested a pair of those
antiquated spectacles which keep their place on the nostrils by the grip
of a spring. By night these two hardworking women set a lamp between
them; and the light, concentrated by two globe-shaped bottles of water,
showed the elder the fine network made by the threads on her pillow,
and the younger the most delicate details of the pattern she was
embroidering. The outward bend of the window had allowed the girl to
rest a box of earth on the window-sill, in which grew some sweet peas,
nasturtiums, a sickly little honeysuckle, and some convolvulus that
twined its frail stems up the iron bars. These etiolated plants produced
a few pale flowers, and added a touch of indescribable sadness and
sweetness to the picture offered by this window, in which the two
figures were appropriately framed.
The most selfish soul who chanced to see this domestic scene would carry
away with him a perfect image of the life led in Paris by the working
class of women, for the embroideress evidently lived by her needle.
Many, as they passed through the turnstile, found themselves wondering
how a girl could preserve her color, living in such a cellar. A student
of lively imagination, going that way to cross to the Quartier-Latin,
would compare this obscure and vegetative life to that of the ivy that
clung to these chill walls, to that of the peasants born to labor, who
are born, toil, and die unknown to the world they have helped to feed.
A house-owner, after studying the house with the eye of a valuer, would
have said, “What will become of those two women if embroidery should go
out of fashion?” Among the men who, having some appointment at the
Hotel de Ville or the Palais de Justice, were obliged to go through
this street at fixed hours, either on their way to business or on their
return home, there may have been some charitable soul. Some widower or
Adonis of forty, brought so often into the secrets of these sad lives,
may perhaps have reckoned on the poverty of this mother and daughter,
and have hoped to become the master at no great cost of the innocent
work-woman, whose nimble and dimpled fingers, youthful figure, and
white skin--a charm due, no doubt, to living in this sunless street--had
excited his admiration. Perhaps, again, some honest clerk, with twelve
hundred francs a year, seeing every day the diligence the girl gave to
her needle, and appreciating the purity of her life, was only waiting
for improved prospects to unite one humble life with another, one form
of toil to another, and to bring at any rate a man’s arm and a calm
affection, pale-hued like the flowers in the window, to uphold this
home.
Public-domain text, read in full here on John Shaqi.
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