On the day named for signing the inevitable contract, Madame Bontems
made her son-in-law pledge himself solemnly to respect her daughter’s
religious practices, to allow her entire liberty of conscience, to
permit her to go to communion, to church, to confession as often as she
pleased, and never to control her choice of priestly advisers. At this
critical moment Angelique looked at her future husband with such pure
and innocent eyes, that Granville did not hesitate to give his word. A
smile puckered the lips of the Abbe Fontanon, a pale man, who directed
the consciences of this household. Mademoiselle Bontems, by a slight
nod, seemed to promise that she would never take an unfair advantage of
this freedom. As to the old Count, he gently whistled the tune of an
old song, _Va-t-en-voir s’ils viennent_ (“Go and see if they are coming
on!”)
A few days after the wedding festivities of which so much is thought in
the provinces, Granville and his wife went to Paris, whither the young
man was recalled by his appointment as public prosecutor to the Supreme
Court of the Seine circuit.
When the young couple set out to find a residence, Angelique used the
influence that the honeymoon gives to every wife in persuading her
husband to take a large apartment in the ground-floor of a house at the
corner of the Vieille Rue du Temple and the Rue Nueve Saint-Francois.
Her chief reason for this choice was that the house was close to the Rue
d’Orleans, where there was a church, and not far from a small chapel in
the Rue Saint-Louis.
“A good housewife provides for everything,” said her husband, laughing.
Angelique pointed out to him that this part of Paris, known as the
Marais, was within easy reach of the Palais de Justice, and that the
lawyers they knew lived in the neighborhood. A fairly large garden
made the apartment particularly advantageous to a young couple; the
children--if Heaven should send them any--could play in the open air;
the courtyard was spacious, and there were good stables.
Public-domain text, read in full here on John Shaqi.
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