“He will come back no doubt at four; I shall see him coming, and will
touch your foot with mine. I am sure he will come back; he has been
through the street regularly for the last three days; but his hours
vary. The first day he came by at six o’clock, the day before yesterday
it was four, yesterday as early as three. I remember seeing him
occasionally some time ago. He is some clerk in the Prefet’s office who
has moved to the Marais.--Why!” she exclaimed, after glancing down the
street, “our gentleman of the brown coat has taken to wearing a wig; how
much it alters him!”
The gentleman of the brown coat was, it would seem, the individual
who commonly closed the daily procession, for the old woman put on her
spectacles and took up her work with a sigh, glancing at her daughter
with so strange a look that Lavater himself would have found it
difficult to interpret. Admiration, gratitude, a sort of hope for better
days, were mingled with pride at having such a pretty daughter.
At about four in the afternoon the old lady pushed her foot against
Caroline’s, and the girl looked up quickly enough to see the new actor,
whose regular advent would thenceforth lend variety to the scene. He
was tall and thin, and wore black, a man of about forty, with a certain
solemnity of demeanor; as his piercing hazel eye met the old woman’s
dull gaze, he made her quake, for she felt as though he had the gift of
reading hearts, or much practice in it, and his presence must surely be
as icy as the air of this dank street. Was the dull, sallow complexion
of that ominous face due to excess of work, or the result of delicate
health?
The old woman supplied twenty different answers to this question; but
Caroline, next day, discerned the lines of long mental suffering on
that brow that was so prompt to frown. The rather hollow cheeks of the
Unknown bore the stamp of the seal which sorrow sets on its victims as
if to grant them the consolation of common recognition and brotherly
union for resistance. Though the girl’s expression was at first one of
lively but innocent curiosity, it assumed a look of gentle sympathy
as the stranger receded from view, like a last relation following in a
funeral train.
Public-domain text, read in full here on John Shaqi.
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