A Secret of the Sea: A Novel. Vol. 1 (of 3)Speight, T. W. (Thomas Wilkinson)
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A Secret of the Sea: A Novel. Vol. 1 (of 3)
Speight, T. W. (Thomas Wilkinson)
English fiction -- 19th century
Miss Deane was a little above the ordinary stature of her sex. She had
a lithe, slender figure, and in all her movements she was graceful,
easy, and self-possessed. She had clearly-cut, well-defined features,
and many people would have called her handsome. But she certainly
lacked colour. Her clear olive complexion--strangely in accordance
with her name--was too clear and too colourless. Only on very rare
occasions was its waxen pallor flushed through with the faintest tinge
of damask. She had magnificent eyebrows, and eyes of the darkest
brown, that looked jet-black by candlelight, with a keen, watchful
look in them, begotten, perhaps, of the time when, little more than a
child, she had to fight her way through the world and found a thorn or
a pitfall at every step she took. Her hair, too, was black, but a
dull, dead, lustreless black, without the slightest gloss of
brightness in it, and very fine in quality. She almost invariably
dressed in black, with white linen cuffs turned up from the wrist, and
a white linen turn-down collar fastened with a simple bow of mauve or
violet riband. No ear-rings, no brooch, no ornaments of any kind
visible, except an inch of the gold chain that held her watch.
"I thought we should have heard the news of your wedding before now,
Olive," said Mr. Kelvin.
"The news of my wedding, Matthew! You will never hear that."
"Never is a long word, Olive. Such a nice, clever girl as you are
can't be destined to live and die an old maid."
Olive's black eyebrows came together for a moment, and she tapped the
floor impatiently with her foot.
"It almost seemed at one time, Olive, as if you and I would have come
together," went on Kelvin, while his fingers toyed absently with a
paper-knife. "Those were pleasant days--those old days on the sands at
Redcar, when I was recovering from my sprain, and you did your best to
nurse me. You used to read novels to me, and play to me on that vile
old lodging-house piano; and out of gratitude I taught you cribbage
and écarté. I have never enjoyed a holiday like that. Do you remember
our long row by moonlight, and how we kissed as we stepped out of the
boat on to the wet sands?"
No word from Olive: only a far-away look in her eyes, and the thin
straight line of her lips looking thinner and straighter than before.
"And yet it all came to nothing!" resumed Kelvin, glancing carelessly
at her. "It might have come to something: who knows? Only, two hours
later, I was telegraphed for to London, and----
"And, as you say, Matthew," interrupted Olive, "it came to nothing. So
much the better probably for both of us."
"Certainly so much the better for you, Olive; but whether or not for
me, may be open to doubt. Why, even in those old days that now seem so
far away, when you and I were girl and boy together, how fond we were
of each other! Do you remember that afternoon when the swing broke
down and I pitched on my head, and how you cried over my bruises as if
your heart would break?"
Public-domain text, read in full here on John Shaqi.
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