It is proposed to introduce in the concluding volume two indexes, one of names and another of subjects, as the want of a ready means of reference to passages, phrases, and characters in these old plays, is one which the editor himself has so strongly felt as to make him desirous of removing it, so far as possible, for his own sake and that of the public. The long table of _errata_ to the former edition has, of course, been attended to, and the _additional notes_ there placed at the end have been arranged under their respective heads. W.C.H. KENSINGTON, _1st November_ 1873. DEDICATION. TO SIR CLEMENT COTTEREL DORMER, KT. Sir,--If there be anything in this collection worthy of being preserved, it is to you the public is indebted for the benefit. Your obliging readiness to communicate the stores of which you were possessed, encouraged me to undertake the design, which otherwise I should have despaired of prosecuting with success. Under the sanction of your name, therefore, I beg leave to shelter the remains of these old dramatic writers, which, but for your generosity had fallen with their authors into utter oblivion. To your candour I submit the pains I have taken to give a tolerably correct edition of them, and am with great respect, Sir, your most obliged and obedient humble servant, R. DODSLEY.[6] INTERLUDE OF THE FOUR ELEMENTS. _A new interlude and a merry of the nature of the Four Elements, declaring many proper points of philosophy natural, and of divers strange lands, and of divers strange effects and causes; which interlude, if the whole matter be played, will contain the space of an hour and a half; but, if ye list, ye may leave out much of the sad matter, as the Messenger's part, and some of Nature's part, and some of Experience's part, and yet the matter will depend conveniently, and then it will not be past three-quarters of an hour of length. London: John Rastell_. 1519. 8vo, black letter. MR HALLIWELL'S PREFACE TO THE FORMER EDITION.[7] The curious interlude reprinted in the following pages is one of the earliest moral plays in the English language known to exist, and it possesses an interest beyond its connection with the history of the stage, as being the only dramatic piece extant in which science is attempted to be made popular through the medium of theatrical representation. Only one copy of it is known to exist, but that is unfortunately imperfect, a sheet in the middle and concluding leaves being lost, so that we are left without the means of giving the reader much information respecting it. On the other hand, while this circumstance must excuse the brevity of these preliminary observations, its singularity and extreme rarity offered additional inducements for selecting it for republication.