A Select Collection of Old English Plays, Volume 09
General
A Select Collection of Old English Plays, Volume 09
English drama
COM. SEN. Auditus, it is now time you make us acquainted with the
quality of the house you keep in, for our better help in judgment.
AUD. Upon the sides of fair mount Cephalon
Have I two houses passing human skill:
Of finest matter by Dame Nature wrought,
Whose learned fingers have adorn'd the same
With gorgeous porches of so strange a form,
That they command the passengers to stay.
The doors whereof in hospitality
Nor day nor night are shut, but, open wide,
Gently invite all comers; whereupon
They are named the open ears of Cephalon.
But lest some bolder sound should boldly rush,
And break the nice composure of the work,
The skilful builder wisely hath enrang'd
An entry from each port with curious twines
And crook'd meanders, like the labyrinth
That Daedalus fram'd t'enclose the Minotaur;
At th'end whereof is plac'd a costly portal,
Resembling much the figure of a drum,
Granting slow entrance to a private closet.
Where daily, with a mallet in my hand,
I set and frame all words and sounds that come
Upon an anvil, and so make them fit
For the periwinkling porch[286], that winding leads
From my close chamber to your lordship's cell.
Thither do I, chief justice of all accents,
Psyche's next porter, Microcosm's front,
Learning's rich treasure, bring discipline,
Reason's discourse, knowledge of foreign states,
Loud fame of great heroes' virtuous deeds;
The marrow of grave speeches, and the flowers
Of quickest wits, neat jests, and pure conceits;
And oftentimes, to ease the heavy burthen
Of government your lordship's shoulders bear,
I thither do conduce the pleasing nuptials
Of sweetest instruments with heavenly noise.
If then Auditus have deserv'd the best,
Let him be dignified before the rest.
COM. SEN. Auditus, I am almost a sceptic in this matter, scarce knowing
which way the balance of the cause will decline. When I have heard the
rest, I will despatch judgment; meanwhile, you may depart.
[AUDITUS _leads his show about the stage, and then goes out_.
SCAENA TERTIA.
COMMUNIS SENSUS, MEMORIA, PHANTASTES, ANAMNESTES, HEURESIS,
_as before_; OLFACTUS _in a garment of several flowers, a
page before him, bearing his target, his field Vert, a hound
Argent, two boys with casting-bottles[287], and two censers
with incense[288], another with a velvet cushion stuck with
flowers, another with a basket of herbs, another with a box
of ointment_. OLFACTUS _leads them about, and, making obeisance,
presents them before the Bench_.
1ST BOY. Your only way to make a good pomander[289] is this:--Take an
ounce of the purest garden mould, cleansed and steeped seven days in
change of motherless rosewater; then take the best ladanum, benzoine,
both storaxes, ambergris, civet, and musk: incorporate them together,
and work them into what form you please. This, if your breath be not too
valiant, will make you smell as sweet as my lady's dog.
PHA. This boy, it should seem, represents Odour, he is so perfect a
perfumer.
Public-domain text, read in full here on John Shaqi.
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