A Select Collection of Old English Plays, Volume 11
General
A Select Collection of Old English Plays, Volume 11
English drama
[43] The word _spirit_ in our old poets was often pronounced as one
syllable, and hence, in fact, the corruption _sprite_. This line is
not measure without so reading it.
[44] This is the first line of Scudmore's answer; but in the old copy
that and the eighteen lines following it are given to Nevill.
[45] [Old copy, _then_.]
[46] See note to "Hamlet," act i. sc. 2, for a collection of instances
in which _resolve_ means _dissolve_. Probably the latest example is to
be found in Pope's "Homer"--
"The phantom said, then vanish'd from his sight,
_Resolves_ to air, and mixes with the night."
--"Iliad," b. ii.
In some recent editions it has been thought an improvement to alter
_resolves_ to _dissolves_.
[47] [Old copy, _under-born fortunes under their merits_.]
[48] [Old copy reads--
"Or in strange arguments against ourselves,
Foul bawdry, and stark," &c.]
[49] [Old copy, _a_.]
[50] The old word for engineer: so in Heywood's "Edward IV.,
Part II.," 1600, sig. M 3--
"But it was not you
At whom the fatal _enginer_ did aim."
Ben Jonson uses it in his "Cataline," act iii. sc. 4--
"The _enginers_ I told you of are working."
[51] A well-known instrument of torture.
[52] Dekker, in his "Bellman of London," sig. H 2, explains _foist_ to
be a pickpocket; and instances of the use of it in this sense, and as
a rogue and cheater, may be found in many of our old writers.
[53] It will be recollected that Brainworm, in "Every Man in his
Humour," is represented upon a wooden leg, begging in Moorfields, like
an old soldier. [See further in Hazlitt's "Popular Poetry," iv.
38-40.]
[54] This passage, among others, is quoted by Steevens in a note to
"Twelfth Night," to show that _cut_, which also means a _horse_, was
employed as a term of abuse. In "Henry IV., Part I.," Falstaff, for
the same purpose, uses _horse_ as synonymous with _cut:_ "Spit in my
face, and call me _horse_."
[55] [_i.e._, Furtively.]
[56] [An allusion to the romance entitled "The Mirror of Knighthood."]
[57] She has just referred to the well-known work "The Mirror of
Knighthood," and by _Bevis_ she means Bevis of Hampton. _Arundel_ was
the name of his horse, and _Morglay_ of his sword. Morglay is often
used for a sword in general.
[58] In the old copy it is printed _pinkanies_, and from what follows
it seems that the expression has reference to the redness of Sir
Abraham's eyes from soreness. The following passage is to the same
effect: "'Twould make a horse break his bridle to hear how the youth
of the village will commend me: 'O the pretty little _pinking nyes_ of
Mopsa!' says one: 'O the fine fat lips of Mopsa!' says
another."--Day's "Isle of Gulls," 1606, sig. D 4.
Public-domain text, read in full here on John Shaqi.
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