"This plate, and one other of his armes, taken downe with the old gate, I caused to be fixed over the entrie of the said quadrant, but the verses being unhappily turned inward to the wall, the like in effect is graven outward in prose, declaring him to be a fishmonger, because some upon a light occasion (as a maydens heade in a glasse window) had _fabuled_ him to bee a mercer, and to _have begged there_ at Ludgate." "They were both buried (Stow, p. 163, edit. 1598) at Butolph's church, Billingsgate." How far the poet has deviated from the tradition as recorded by Strype, the reader will be now as well able to decide as myself: when I speak of _the tradition_, I allude only to the circumstance of his having been confined a prisoner in Ludgate, and to his release by his wife (by his _nephew_ according to the drama); and this I do on the authority of Stow, the elder of the historians who, in his concluding remarks, refers to it as a fable. Of the charitable acts of these worthy people there can be no doubt. In relation to the character of Bruin, I find (Strype, ii. 260) that "In the year 1197, Walter Brune, a citizen of London, and Rosia his wife, founded the hospital of Our Lady, called Domus Dei, or St Mary the Spittle, without Bishopsgate in London, an house of such relief to the needy, that there was found standing at the surrender thereof nine score beds well furnished for receipt of poor people." The reader cannot fail to notice the gross anachronisms with which the plot of this drama abounds; something, however, may be said in excuse of the bringing together such men as Foster and Bruin; but the introduction of Henry III. is so wanton and unnecessary, that there can be little doubt it is an error of the printer's, and that Henry VI. is the character intended, in whose time Sir Stephen Foster lived. I did not, however, think it necessary to disturb the text; not out of respect to the quarto, for a more disgraceful work never issued from the press even of the printers of that age, but because, the circumstance having been once noticed, it becomes of little consequence. While on this subject I may just observe, that in the original this play is, with very trifling limitations, throughout printed as blank verse: by what possible rule or ear the division was made it is absolutely impossible to conceive; some scenes have without hesitation been reduced to prose; and by changing the construction of whole speeches, innumerable couplets have been restored: if yet the attentive reader shall discover passages (and that many have escaped my notice I cannot doubt), on which he would willingly exercise his skill, I can only observe that he must not make too free with the pruning knife; that it is difficult to distinguish between a licentious metre and measured prose; and that very little good dramatic dialogue of the higher walks can be found, that, with moderate torturing to the eye and ear, may not pass for such metre.