the guard at Whitehall, and were thereupon connived at to act for a few days at the Red Bull,[83] but were sometimes, notwithstanding, disturbed by soldiers. Some picked up a little money by publishing the copies of plays never before printed, but kept up in manuscript. For instance, in the year 1652, Beaumont and Fletcher's "Wild-Goose Chase" was printed in folio, for the public use of all the ingenious, as the title-page says, and private benefit of John Lowin and Joseph Taylor, servants to his late majesty; and by them dedicated to the honoured few lovers of dramatic poesy, wherein they modestly intimate their wants, and that with sufficient cause; for whatever they were before the wars, they were after reduced to a necessitous condition. Lowin, in his latter days, kept an inn, the Three Pigeons at Brentford, where he died very old, for he was an actor of eminent note in the reign of King James I.; and his poverty was as great as his age. Taylor died at Richmond, and was there buried. Pollard, who lived single, and had a competent estate, retired to some relations he had in the country, and there ended his life. Perkins and Sumner of the Cockpit kept house together at Clerkenwell, and were there buried. These all died some years before the Restoration; what followed after, I need not tell you; you can easily remember. +Love.+ Yes; presently after the Restoration, the king's players acted publicly at the Red Bull for some time, and then removed to a new-built play-house in Vere Street, by Clare Market. There they continued for a year or two, and then removed to the Theatre Royal in Drury Lane, where they first made use of scenes, which had been a little before introduced upon the public stage by Sir William Davenant, at the Duke's Old Theatre in Lincoln's-Inn-Fields, but afterwards very much improved, with the addition of curious machines, by Mr Betterton, at the New Theatre in Dorset Garden, to the great expense and continual charge of the players. This much impaired their profit o'er what it was before; for I have been informed by one of 'em, that for several years next after the Restoration every whole sharer in Mr Hart's company got £1000 _per ann._ About the same time that scenes first entered upon the stage at London, women were taught to act their own parts; since when we have seen at both houses several actresses, justly famed, as well for beauty as perfect good action. And some plays, in particular the "Parson's Wedding," have been presented all by women, as formerly all by men. Thus it continued for about twenty years, when Mr Hart, and some of the old men, began to grow weary, and were minded to leave off. Then the two companies thought fit to unite; but of late, you see, they have thought it no less fit to divide again, though