A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense. — John Shaqi
A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.Unknown
Science
A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.
Unknown
Formulas, recipes, etc.; Workshop recipes
12. TO WRITE ON PAPER WITH GOLD OR SILVER.--Make a sizing as strong as
will flow freely from the pen, by dissolving equal quantities of
gum-arabic and loaf sugar in water; write with this on paper and let
it dry; then moisten the paper by breathing on it, or by holding it
over hot water, and immediately lay pieces of gold or silver leaf on
the lines of the writing, pressing them down gently with a dry hair
pencil. Otherwise, brush gold or silver bronze lightly over the
writing; but this will not have so brilliant an appearance. Allow the
sizing to dry again, and then brush off the redundant gold or silver
with cotton. This writing, (if performed with leaf gold or silver) may
be burnished with a flint burnisher or a cornelian or blood-stone.
Gold letters may also be written or drawn with a hair pencil by means
of gold bronze, mixed with weak gum-water, to which may be added a
little solution of soap, which will make it run more freely. But no
preparation of solution of gold has yet been discovered, which may be
easily revived on paper.
13. TO MAKE GOOD SHINING BLACK INK.--Take two ounces of nut-galls in
coarse powder; one ounce of logwood in thin chips; one ounce of
sulphate of iron; three-fourths of an ounce of gum-arabic; one-fourth
of an ounce of sulphate of copper; and one-fourth of an ounce of loaf
sugar. Boil the galls and logwood together in three pints of water,
till the quantity is reduced to one half. Then the liquor must be
strained through a flannel into a proper vessel, and the remainder of
the ingredients be added to it. The mixture is then to be frequently
stirred till the whole is dissolved; after which it must be left at
rest for twenty-four hours. The ink may then be decanted from the
gross sediment, and must be preserved in a glass bottle well corked.
14. BLUE INK.--Dissolve one ounce of gum-arabic in a pint of water. In
a part of this gum-water, grind a small quantify of best prussian
blue; you may thus bring it to any depth of colour you choose. Indigo
will answer this purpose very well, but is not so fine a colour, nor
will it remain suspended so uniformly in the water.
15. RED INK.--In the above mentioned gum-water, grind very fine, three
parts of vermillion with one of lake or carmine. This is a very
perfect colour, but may require to be shaken up occasionally. To make
the common red ink, such as is used by book binders for ruling, &c.
infuse half a pound of rasped brazil-wood, for two or three days in a
pint of vinegar; then filter or strain it, and add one ounce of
gum-arabic, and one ounce of alum. It may afterward be diluted
occasionally with water.
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