A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.Unknown
Science
A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.
Unknown
Formulas, recipes, etc.; Workshop recipes
are formed by removing the staining from the ground with a piece of
stiff leather, the edges of which are cut in notches so that the
several points will touch the work at the same time.
35. THE ART OF PAINTING ON GLASS.--If the common cakes of
water-colours are to be used in this work, they should be mixed with
water in which a little muriate of soda has been dissolved. Other
paints may be ground in shellac varnish; or in linseed oil, but this
will not dry so quick. The most proper colours for this work, on
account of their transparency, are india ink, or lamp black, burnt
umber, burnt terra-de-sienna, lake and gamboge or chrome yellow. These
must be laid on very thin, that they may be the more transparent. Set
up the glass on its edge, against a window, or place a lamp on the
opposite side that the light may shine through, and with a fine hair
pencil, draw the out lines of your design on the glass with black;
afterward shade and paint it with the above mentioned colours,
observing to paint that part of the work first, which in other
painting would be done last. The shading may be performed by laying on
two or more coats of the colour, where you want it darker. If
transparency is not required, a greater variety of colours may be
used, and laid on in full heavy coats. Any writing or lettering in
this work, must be written from right to left, contrary to the usual
order. In some pieces, the body of some of the principal objects, may
be left blank, so that by placing pieces of silk or paper of different
colours, on the opposite side of the glass the picture will also
appear in different colours, and may be changed from one colour to
another at pleasure.
36. BEST METHOD OF POLISHING STEEL.--For this purpose a wheel must be
provided that is perfectly round, and the rim of it covered with
deer-skin, or buff-leather. The diameter of the wheel, for common
purposes may be about two feet; but for polishing razors, and some
other similar instruments, the wheel should not be more than five or
six inches in diameter, and two inches thick. The steel must first be
ground smooth as possible on a common, or fine grained stone; it may
then be applied to the polishing wheel, which must be turned with such
velocity that the surface, or rim, may move at the rate of from forty
to sixty feet in a second; and the leather must frequently have a
powder applied, called crocus of iron, which is prepared by calcining
sulphate of iron in a crucible till it becomes a fine red oxide
resembling rust. For ordinary work, the leather may be moistened with
olive oil, that it may the better retain the powder; but it will give
a more perfect polish if kept dry. If any perfectly plain surfaces,
such as mirrors are to be polished, they must be applied to the sides
of a wheel, and not to the edge or rim, in the manner of other work.
Public-domain text, read in full here on John Shaqi.
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