A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense. — John Shaqi
A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.Unknown
Science
A Select Collection of Valuable and Curious Arts and Interesting Experiments,: Which are Well Explained and Warranted Genuine and may be Performed Easily, Safely, and at Little Expense.
Unknown
Formulas, recipes, etc.; Workshop recipes
49. TO MAKE ELASTIC VARNISH FOR UMBRELLAS, OR HAT CASES.--To a pint of
spirits of turpentine, in a flask, add one ounce of gum-elastic, cut
into very small pieces; put in the cork slightly and set the flask in
a warm place, where the heat may not be equal to that of boiling
water, till the gum-elastic is dissolved, which may be effected in
four or five hours. Then strain the solution through a strong linen or
cotton cloth, and add half a pint of boiled linseed oil. _Note._--A
larger proportion of gum-elastic may be dissolved, and a less quantity
of oil added, by which means the varnish will be more elastic, but
will not have so smooth and permanent a gloss.
50. TO VARNISH MAPS AND PICTURES.--Take a piece of linen, or cotton
cambric, rather larger than the map or picture to be varnished, and
draw it straight upon a frame of convenient size, and confine it at
the edges by small tacks or nails. Lay a thin coat of fine rye flour
paste on this, and on the back of the paper that is to be varnished;
lay the paper on the cambric and press them together till the paper
adheres firmly in every part. When this is dry, give the face of the
print two or three coats of a strong solution of gum-arabic in water,
allowing each sufficient time to become perfectly dry. This sizing
must be applied with a large smooth brush, and must be spread over the
work very quickly, and with as little brushing as possible.
Afterwards, give the work one or more coats of the varnish described
at 48. _Note._--Very small prints may not require to be pasted on
cambric; and if the paper be very thick, the varnish may be applied
without the previous sizing. Ising-glass, (which may be readily
dissolved in boiling water) is sometimes added to the gum-arabic, and
increases the strength of the sizing, but is somewhat less transparent
than pure gum-arabic. A more simple method of varnishing prints, is to
size them with a solution of loaf sugar, and finish with a solution of
rosin in spirits of turpentine.
51. TO MAKE BRUNSWICK BLACKING FOR PICTURE GLASSES.--Take one pound of
gum-asphaltum and melt it over a slow fire; then take it from the fire
and add spirits of turpentine in small quantities, stirring it briskly
till it is of the consistence of varnish. As there is some danger of
its taking fire when the spirits of turpentine is added, it may be
well to be provided with a piece of wet flannel, to throw over it if
that should happen. When it is nearly cold, strain it through a
flannel, and bottle it for use. This blacking is used for bordering
picture glasses, and is probably the most perfect black in nature. It
is water proof and dries very quick.
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