“Gentlemen, my good friends,” cried he, breaking loose from a misty poet who strove to hold him by the button, “I pray you to attend to your own business, and leave me to take care of mine! I expect to owe you nothing, unless it be certain national debts, and other encumbrances and impediments, physical and moral, which I shall find it troublesome enough to remove from my path. As to your verses, pray read them to your contemporaries. Your names are as strange to me as your faces; and even were it otherwise,—let me whisper you a secret,—the cold, icy memory which one generation may retain of another is but a poor recompense to barter life for. Yet, if your heart is set on being known to me, the surest, the only method is, to live truly and wisely for your own age, whereby, if the native force be in you, you may likewise live for posterity.” “It is nonsense,” murmured the Oldest Inhabitant, who, as a man of the past, felt jealous that all notice should be withdrawn from himself to be lavished on the future, “sheer nonsense, to waste so much thought on what only is to be.” To divert the minds of his guests, who were considerably abashed by this little incident, the Man of Fancy led them through several apartments of the castle, receiving their compliments upon the taste and varied magnificence that were displayed in each. One of these rooms was filled with moonlight, which did not enter through the window, but was the aggregate of all the moonshine that is scattered around the earth on a summer night while no eyes are awake to enjoy its beauty. Airy spirits had gathered it up, wherever they found it gleaming on the broad bosom of a lake, or silvering the meanders of a stream, or glimmering among the wind-stirred boughs of a wood, and had garnered it in this one spacious hall. Along the walls, illuminated by the mild intensity of the moonshine, stood a multitude of ideal statues, the original conceptions of the great works of ancient or modern art, which the sculptors did but imperfectly succeed in putting into marble; for it is not to be supposed that the pure idea of an immortal creation ceases to exist; it is only necessary to know where they are deposited in order to obtain possession of them.—In the alcoves of another vast apartment was arranged a splendid library, the volumes of which were inestimable, because they consisted, not of actual performances, but of the works which the authors only planned, without ever finding the happy season to achieve them. To take familiar instances, here were the untold tales of Chaucer’s Canterbury Pilgrims; the unwritten cantos of the Fairy Queen; the conclusion of Coleridge’s Christabel; and the whole of Dryden’s projected epic on the subject of King Arthur. The shelves were crowded; for it would not be too much to affirm that every author has imagined and shaped out in his thought more and far better works than those which actually proceeded from his pen. And here,