A Selection from the Poems of William Morris — John Shaqi
A Selection from the Poems of William MorrisMorris, William
General
A Selection from the Poems of William Morris
Morris, William
English poetry -- 19th century
In the _Earthly Paradise_ the double current of the poet's fancy above
alluded to is most strikingly apparent. The very framework in which the
various tales are set seems to have been designed with that view. Guided
probably by a vague tradition of a pre-Columbian discovery of America by
the Vikings, the prologue relates how during a terrible pestilence
certain mariners leave their northern home in search of the land where
old age and death are not and where life is rounded by unbroken
pleasure. Sailing west they come to a fair country. They gaze on
southern sunshine and virgin forest and fertile champaign, but death
meets them at every step, and happiness is farthest from their grasp
when the people worship them as gods and sacrifice at their shrine.
Escaping from this golden thraldom they regain their ship, and after
many dangers and privations are driven by the wind to an island
inhabited by descendants of the ancient Greeks, who have preserved their
old worship and their old freedom. Here the weary wanderers of the main
are hospitably received, and here they resolve to dwell in peace,
forgetful of their vain search for the earthly paradise. At the
beginning and the middle of every month the elders of the people and
their guests meet together to while away the time with song and friendly
converse. The islanders relate the traditions of their Grecian home, the
mariners relate the sagas of the North, and Laurence, a Swabian priest
who had joined the Norsemen in their quest, contributes the legends of
Tannhäuser and of the ring given to Venus by the Roman youth. Here then
there is full scope for the quaint beauty of romantic classicism and for
the weird glamour of northern myth. Without encroaching upon the field
of criticism proper the writer may state that, in his opinion, amongst
the classic tales none is more graceful and finished than "The Golden
Apples", and amongst the northern none more grandly developed and more
epical in the strict sense of the word than _The Lovers of Gudrun_ based
upon the Icelandic Laxdæla saga. The latter, unfortunately, cannot find
a place in this volume for reasons of space.
Public-domain text, read in full here on John Shaqi.
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