Essays; Great Britain -- Social conditions -- 20th century; World War, 1914-1918 -- Great Britain
“Such as—the instinct to be self-controlled; not to be rude or
intolerant; not to ‘slop-over’; not to fuss, nor to cry out; to hold
your head up, so that people refrain from taking liberties; to be ready
to do things for others, to be chary of asking others to do things for
you, and grateful when they do them?”
“Yes,” I said, “all these I believe in.”
“What central truth do you imagine that these instincts come from?”
“Well, they’re all such a matter of course—I don’t think I ever
considered.”
“If by any chance,” he replied, “you ever do, you will find they come
from an innate worship of balance, of the just mean; an inborn reverence
for due proportion, a natural sense of harmony and rhythm, and a
consequent mistrust of extravagance. What is a bounder? Just a man
without sufficient sense of proportion to know that he is not so
important in the scheme of things as he thinks he is!”
“You are right there!”
“Very well. Refinement is a quality of the individual who has—and
conforms to—a true (not a conventional) sense of proportion; and
vulgarity is either the natural conduct of people without that sense of
proportion, or of people who imitate and reproduce the tricks of
refinement wholesale, without any real feeling for proportion; or again,
it is mere conscious departure from the sense of proportion for the sake
of cutting a dash.”
“Ah!” I said; “and to which of these kinds of vulgarity is the fashion
of docking horses’ tails a guardian angel?”
“Imagine,” he answered gravely, “that you dock your horse’s tail. You
are either horribly deficient in feeling for a perfectly proportioned
horse, or you imitate what you believe—goodness knows why—to be the
refined custom of docking horses’ tails, without considering the
question of proportion at all.”
“Yes,” I said; “but what makes so many people do it, if there isn’t
something in it, either useful or ornamental?”
“Because people as a rule do not love proportion; they love the
grotesque. You have only to look at their faces, which are very good
indications of their souls.”
“You have begged the question,” I said. “Who are you to say that the
perfect horse is not the horse——?”
“With the imperfect tail?”
“Imperfect? Again, you’re begging.”
“As Nature made it, then. Oh!” he went on with vehemence, “think of the
luxury of having your own tail. Think of the cool swish of it. Think of
the real beauty of it! Think of the sheer hideousness of all that great
front balanced behind by a few scrub hairs and a wriggle! It became
‘smart’ to dock horses’ tails; and smart to wear ‘aigrettes.’
‘Smart’—‘neat’—‘efficient’—for all except the horse and the poor
egrets.”
“Your argument,” I said, “is practically nothing but æsthetics.”
He fixed his eyes upon my hat.
Public-domain text, read in full here on John Shaqi.
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