A Short Essay Toward the Improvement of Psalmody: Or, An Enquiry How the Psalms of David Ought to Be Translated into Christian Songs, and How Lawful and Necessary It Is to Compose Other Hymns According to the Clearer Revelations of the Gospel, for the Use of the Christian Church.Watts, Isaac
Religion
A Short Essay Toward the Improvement of Psalmody: Or, An Enquiry How the Psalms of David Ought to Be Translated into Christian Songs, and How Lawful and Necessary It Is to Compose Other Hymns According to the Clearer Revelations of the Gospel, for the Use of the Christian Church.
Watts, Isaac
Psalmody
If the Addition of humane Testimony concerning the Practice of Churches
in former or later Ages might have any influence to establish the
Consciences of those who are doubtful in this Matter, I might acquaint
them that the Churches of _Germany_ and the _Eastland_ Churches, use
many Divine Hymns which are compos'd on several Subjects of the
Christian Religion, without any Pretence to extraordinary Gifts. The
Church of _England_ approves this Practice, as appears in those
Spiritual Songs at the End of the old Translation of the Psalm-Book,
and some Churches among the Dissenters. The _Christians of the first
Ages were wont to meet together on a Day appointed before it was Light,
and to speak a Song to Christ as to God_. Thus _Pliny_ the _Roman_
testifies in a Letter to _Trajan_ the Emperour in the Beginning of the
second Century. _Tertullian_, who flourish'd about the Beginning of the
Third Century, relating the Manner of Administration of the Lord's
Supper, asserts _That after they had eat and drank what was sufficient
for those that must worship God by Night, &c. Every one was urged to
sing unto God publickly either out of the holy Scriptures, or according
to their own Genius and Ability_, Apol. C. 39. _Origen_, who flourish'd
in the Middle of the Third Century, speaks of _singing Hymns or Praise
to the Father in or by Christ in good Rhime, Tune, Metre and Harmony.
Origen de Orat. Sect. 6. _Eusebius_, B. 7. C. 19. quotes _Dionisius_
writing against Nepos thus, _Altho I heartily love _Nepos_ for his
Faith, his Study of Knowledge and the holy Scriptures, as well as {274}
for various Psalms and Hymns composed by him, which are used to this
Day by some Brethren, yet, &c. In the Acts of the Council of _Antioch_
mention'd by _Eusebius_, B.7. C.30. It was one of the Accusations of
_Paulus Samosatenus_ the Heretick Bishop of _Antioch_, that he
_abolished those Psalms which were wont to be sung to the Honour of the
Lord Jesus Christ as novel and compos'd by Modern Authors, and that he
appointed Women on Easter Day in the Middle of the Church to sing
Psalms in his Praise_. And in the Fragment of an anonymous Author
extant in _Eusebius_ we find the Heresy of _Artemon_, who denied the
Divinity of Christ, confuted not only by the Scriptures and the
Writings of the precedent Fathers, but also by the _Psalms and Hymns of
the Brethren which were formerly compos'd by them, wherein they sung
Praises to the WORD of God, declaring Christ to be God_. Such a private
composed Hymn was that which _Clemens Alexandrinus_ mentions as one
commonly known among the Christians in his Days, beginning _Kaire
Phos_, or _Hail Light_. _Spanheim_ in his sixth Chapter of the fourth
Century of his Christian History speaks thus, _Besides Hymns and Songs,
and private Psalms, of which there was a great Number in their solemn
Assemblies, the Psalm Book of_ David _was brought into the Western
Church in this Age in the Time of_ Damasus _and_ Ambrose; _but in the
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