That transition and that symbol stand for the Crusades. In their romance and reality they were the first English experience of learning, not only from the external, but the remote. England, like every Christian thing, had thriven on outer things without shame. From the roads of Caesar to the churches of Lanfranc, it had sought its meat from God. But now the eagles were on the wing, scenting a more distant slaughter; they were seeking the strange things instead of receiving them. The English had stepped from acceptance to adventure, and the epic of their ships had begun. The scope of the great religious movement which swept England along with all the West would distend a book like this into huge disproportion, yet it would be much better to do so than to dismiss it in the distant and frigid fashion common in such short summaries. The inadequacy of our insular method in popular history is perfectly shown in the treatment of Richard Coeur de Lion. His tale is told with the implication that his departure for the Crusade was something like the escapade of a schoolboy running away to sea. It was, in this view, a pardonable or lovable prank; whereas in truth it was more like a responsible Englishman now going to the Front. Christendom was nearly one nation, and the Front was the Holy Land. That Richard himself was of an adventurous and even romantic temper is true, though it is not unreasonably romantic for a born soldier to do the work he does best. But the point of the argument against insular history is particularly illustrated here by the absence of a continental comparison. In this case we have only to step across the Straits of Dover to find the fallacy. Philip Augustus, Richard's contemporary in France, had the name of a particularly cautious and coldly public-spirited statesman; yet Philip Augustus went on the same Crusade. The reason was, of course, that the Crusades were, for all thoughtful Europeans, things of the highest statesmanship and the purest public spirit.