Shakespeare's historical plays are something truer than historical; they are traditional; the living memory of many things lingered, though the memory of others was lost. He is right in making Richard II. incarnate the claim to divine right; and Bolingbroke the baronial ambition which ultimately broke up the old mediaeval order. But divine right had become at once drier and more fantastic by the time of the Tudors. Shakespeare could not recover the fresh and popular part of the thing; for he came at a later stage in a process of stiffening which is the main thing to be studied in later mediaevalism. Richard himself was possibly a wayward and exasperating prince; it might well be the weak link that snapped in the strong chain of the Plantagenets. There may have been a real case against the _coup d'etat_ which he effected in 1397, and his kinsman Henry of Bolingbroke may have had strong sections of disappointed opinion on his side when he effected in 1399 the first true usurpation in English history. But if we wish to understand that larger tradition which even Shakespeare had lost, we must glance back at something which befell Richard even in the first years of his reign. It was certainly the greatest event of his reign; and it was possibly the greatest event of all the reigns which are rapidly considered in this book. The real English people, the men who work with their hands, lifted their hands to strike their masters, probably for the first and certainly for the last time in history.