When, twenty minutes or so later, the train steamed out of the station,
we were both so absorbed, that neither of us noticed the fact, and it
was only after we had gone a considerable distance on our journey, that
I, at least, realised it.
Sir Charles Hall['e]'s leisure time was so limited--the railway carriage
was, to all intents and purpose, his office for conducting business
correspondence--that he had little opportunity for playing games, so,
with characteristic forethought, he seized upon the occasion, and I am
glad to know, quite enjoyed the experience.
I well remember how surprised we both were, when we found ourselves in
Manchester. It was, certainly, the shortest of such journeys that I can
remember.
The performance of Handel's oratorio was to me a memorable one, not so
much on account of the music, which in comparison with that of the
"Messiah," "Israel in Egypt" or "Judas Maccabeus," seemed rather
uninteresting, the magnificent singing of the choir and soloists, or the
splendid playing of the orchestra, as the absolute enthusiasm displayed
by Sir Charles Hall['e] in its direction.
The music seemed to arouse all that was masterful and compelling in him.
His personality dominated everything, and I never saw him on any other
occasion so obviously moved as he was that night. His love of the music
of Handel was, from his earliest years, passionate, as that of
Beethoven, and, in a less degree, Berlioz, became in later years.
On the way back to his house, observing that he showed evident signs of
fatigue, I forbore to speak, but he suddenly said, "Well, what do you
think of it?" I replied, "Sir Charles, it was perfectly splendid, and,
if not a liberty, may I say, that your conducting was simply
magnificent?" The words read, in print, perhaps, exaggerated and
extravagant. I can only say that I simply voiced my feelings at the
moment.
He leaned back in the carriage, saying:
"Thanks. That is something," and after a pause, "The work has been long
and--arduous." However, on arriving at his home, he soon regained his
usual serenity, when, after a light supper, he lit a cigar.
In the course of conversation, I said, "Will you tell me, Sir Charles,
if it was simply the result of philosophical reflection, or some
incident, that made you determine on the 'twenty minutes before the
train' rule?"
He replied, "It was, certainly, the result of an accident that occurred
to me, many years ago, in Manchester; but at the same time, I think
there is much philosophy in it. I was being driven to the station to
catch a train to the north, with a band rehearsal and concert before me.
My carriage suddenly stopped, and, looking out to see what was the
matter, I found that, owing to some work on the road, we were hopelessly
blocked. I seized my bag, and running all the way to the station, was
just in time to enter the train as it was starting. In fact, had the
guard not recognised me, I should have lost it."
Public-domain text, read in full here on John Shaqi.
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