"Well, Sir Charles," I said, "with such possibilities constantly facing
you, it was, as Sam Weller said to Mr. Pickwick, 'the prudentest
resolution as you could come to.'"
"It has," he answered, "made all the difference between misery and
comfort, in such a life of incessant travelling as mine." We continued
talking into, I am afraid, the early hours of the morning, when an old
domestic entering the room, on some pretext or another, Sir Charles who
was just commencing, "However, there was one occasion," immediately rose
from his chair, and saying, "it is late, we must go to bed," made
preparations for that event. The story was never told.
On the return journey, the same game occupied our attention, Sir Charles
remarking as we entered our compartment, "Now, I am going to win back
what you got from me coming down." The feat was not a considerable one,
but the zest with which he threw himself into the effort, the
absolutely boyish joy he exhibited, was a thing that I can never forget.
He did not succeed. When, saying "good-bye" to him, as he entered his
carriage, after our arrival in London, he remarked, "But I am going to
get that half-crown back; you will see."
Sir Charles Hall['e] was, in every sense, a remarkable man. Judged from
any standpoint, he appears as one destined to make his mark in history.
As a pianist, on no less an authority than Hans Von B[:u]low, he is to
be regarded as one of the greatest exponents of Beethoven.
As a conductor, his memory is equally secure. That the scene of his
greatest achievements happened to be England, is, as we know, a matter
of accident. But it is equally certain that wherever fate had decided
that his lot should be cast, his name would be carried down in history,
as a man of great endowments, noble character, and one of those whose
existence enriches humanity.
SIR ARTHUR SULLIVAN
His disposition--His early days--As a student at Leipzig--Return to
England--The "Tempest" music--Results of its performance--Definite
plans as to the future--As song writer--Punch and one of them--A
house of noted hospitality--Association with Gilbert and D'Oyly
Carte--First result--The Savoy operas--"Ivanhoe"--His powers of
work--The oratorios--The "Martyr of Antioch"--"The Golden
Legend"--His strong character--His critical genius--A personal
incident--A story of Sir W. S. Gilbert--His great place in the
histof English music.
Sir Arthur Sullivan's disposition was a happy one--in other words, it
was bright and sparkling. Blessed with a sense of humour that enabled
him to look out on the world with invariable cheerfulness, he passed his
days in an atmosphere of serenity that might well be the envy of all who
knew him. It was only natural, for he was a veritable child of fortune.
Most men, and, emphatically, most musicians, have to experience years of
struggle or strenuous work, before they attain to fame, or, in the
jargon of the day, "arrive."
Not so, Arthur Sullivan.
Public-domain text, read in full here on John Shaqi.
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