By this time Byrd was universally recognised as the greatest English musician of his time, and his fame had spread to the Continent. The death of Tallis had left him absolutely without a rival. There is plenty of evidence proving Queen Elizabeth's regard for him. In fact, it was from a pecuniary point of view, somewhat embarrassing to him, as it must be admitted that the great Queen was exacting of service, and somewhat parsimonious in the paying for it. The many references to him made by contemporary writers, such as "homo memorabilis," "the most celebrated musician of the English nation," and "one of the most famous musicians that ever were in this land," all go to shew that his name was held in the highest esteem. The year 1607 witnessed the production of the "Gradualia"; this contained music for the complete ecclesiastical year of the Catholic Church. A striking example of his fearlessness! The work by which he is best known to the general public to-day is the ever popular "Non nobis Domine," which, although written in the severe style of canon form, is at once beautiful and touching in its extraordinary expression of reverence. The highest achievements of William Byrd were the Masses in three, four and five parts. In these works his genius is displayed to its fullest extent and in its most splendid guise. The period is declared by so great an authority as W. S. Rockstro (Grove's Dictionary) to be the greatest in the history of Mass music, and Byrd's Mass in five parts is one of the most splendid that were written during that memorable time. In personal character William Byrd was a decidedly interesting man. At a time when what may be termed opportunism was the evident thing that made for success, he refused to be influenced by it, and steadfastly declined to abate by jot or tittle his allegiance to the Catholic Church in its integrity, and it is an extraordinary proof of the attraction of his forceful character that, notwithstanding this fact, so menacing to his personal safety, he not only retained the Queen's favour during her lifetime, but seems to have held a firm grip on all the benefactions she bestowed on him up to the day of his death. That this was not easy to accomplish is shown by the legal actions in which he became involved, the principal one being Shelley v. Byrd, upon whose issue depended his retention of Stondon Place, a property granted to him by Elizabeth. It continued for some years, and would seem to have ended in a form of compromise. It is not without interest that the plaintiff in the case was an ancestress of no less a personage than the poet Percy Bysshe Shelley. However, Byrd remained in possession, and there is reason to believe that he died there and was buried in the Parish Church, although there are no records to bear out the supposition. His death took place in 1623, when he must have been at an advanced age. ORLANDO GIBBONS