No work dated 1486 has been traced to Caxton's press, but in 1487 he brought into use type 5, a smaller form of the black letter fount known as No. 3, with which he sometimes used a set of Lombardic capitals. With this he printed, between 1487 and 1489, several important books, among them the _Royal Book_, a folio of 162 leaves, illustrated with six small illustrations, the _Book of Good Manners_, the first edition of the _Directorium Sacerdotum_, and the _Speculum Vitæ Christi_. During 1487 also he had printed for him at Paris an edition of the _Sarum Missal_, from the press of George Maynyal, the first book in which he used his well-known device. The second edition of the _Golden Legend_ is believed to have been published in 1488, and to about the same time belongs the Indulgence which Henry Bradshaw discovered in the University Library, Cambridge, and which seems to have been struck off in a hurry on the nearest piece of blank paper, which happened to be the last page of a copy of the _Colloquium peccatoris et Crucifixi J. C._, printed at Antwerp. This was not the only remarkable find which that master of the art of bibliography made in connection with Caxton. On a waste sheet of a copy of the _Fifteen Oes_, he noticed what appeared to be a set off of another book, and on closer inspection this turned out to be a page of a Book of Hours, of which no copy has ever been found. It appeared to have been printed in type 5, was surrounded by borders, and was no doubt the edition which Wynkyn de Worde reprinted in 1494. In 1489 Caxton began to use another type known as No. 6, cast from the matrices of No. 2 and 2*, but a shade smaller, and easily distinguishable by the lowercase 'w,' which is entirely different in character from that used in the earlier fount. With this he printed on the 14th July 1489, the _Faytts of Armes and Chivalry_, and between that date and the day of his death three romances, the _Foure Sons of Aymon_, _Blanchardin_, and _Eneydos_; the second editions of _Reynard the Fox_, the _Book of Courtesy_, the _Mirror of the World_, and the _Directorium Sacerdotum_, and the third edition of the _Dictes and Sayinges_. To the same period belong the editions of the _Art and Craft to Know Well to Die_, the _Ars Moriendi_, and the _Vitas Patrum_.