It was printed in octavo, black letter, and the only known copy is in the Douce collection at the Bodleian. Another equally rare piece of Bankes' printing was the old English romance of _Sir Eglamour_, known only by a fragment of four leaves in the possession of Mr. Jenkinson of the University Library, Cambridge. This was also somewhat roughly printed in black letter. In 1525 he printed a medical tract called the _Seynge of Uryns_, in quarto, and three years later was associated with Robert Copland in the production of the _Rutter of the Sea_. He also issued from this address _A Herball_, and another popular medical work called the _Treasure of Pore Men_. Bankes is, however, best known as the printer of the works of Richard Taverner, the Reformer, but this was later, and will be noticed when we come to them. Peter Treveris, or Peter of Treves, was working at the sign of the Wodows, in Southwark, between the years 1521 and 1533. He used as his device the 'wild men,' first seen in the device of the Paris printer, P. Pigouchet. The fact of his printing the _Opusculum Insolubilium_, to be sold at Oxford 'apud J. T.', that is probably for John Thome the bookseller, points to his being at work about the year 1520. In 1521 he is believed to have issued an edition of Arnold's _Chronicles_, translated by Laurence Andrewe. Two other books of his printing were the _Handy Worke of Surgery_, in folio, 1525, a book notable for the many anatomical diagrams with which it was illustrated, and as a companion to that work, _The Great Herball_ Treveris also shared with Wynkyn de Worde most of the printing of Richard Whittington's scholastic works, all in quarto, and mostly without date. Laurence Andrewe, who lived for some years at Calais, translated one or more books for John van Doesborch, the Antwerp printer, set up a press in London about 1527, and printed a second edition of the _Handy Worke of Surgery_, above noticed, a tract called _The Debate and Strife betwene Somer and Winter_, to be sold by Robert Wyer at Charing Cross; _The destillacyon of Waters_, in 1527; and a reprint of Caxton's edition of the _Mirroure of the Worlde_, in folios, 1527. His printing calls for no special notice, but Mr. Proctor, in his monograph on _Doesborgh_, surmises that he learnt his art in an English printing house rather than abroad, and the presence of a Leonarde Andrewe in the service of John Rastell may mean that the two men were related and were both pupils of the same master.