Although this book (an octavo) bore no date, the names of the subscribing bishops fix it as 1566 or 1567. In the latter year appeared the Archbishop's metrical version of the _Psalter_, which he had compiled during his enforced exile under Mary. In connection with this it may be well to point out that Day printed many editions of the _Psalter_ with musical notes. In 1568 he used the Saxon types again to print William Lambard's _Archaionomia_, a book of Saxon laws. Amongst his other productions of that year must be mentioned the folio edition of Peter Martyr's _Commentary on the Epistle to the Romans_; Gildas the historian's _De excidio et conquestu Britanniæ_, 1568, 8vo; and a French version of Vandernoot's _Theatre for Worldlings_, 'Le Theatre auquel sont exposés et monstrés les inconveniens et misères qui suivent les mondains et vicieux, ensemble les plaisirs et contentements dont les fidèles jouissent.' There is a copy of this very rare book in the Grenville collection. The _Theatre for Worldlings_ was translated into English the following year, and contained verses from the pen of Edmund Spenser, then a boy of sixteen. But Day's press played little part in the spread of the romantic literature with which the name of Spenser is so closely linked. Day's work was with the Reformation and the religious questions of the time. Nevertheless, that he felt the influence of the coming change is shown from a publication that issued from his press in 1570. This was the authorised version of a play which had been acted nine years before by the gentlemen of the Inner Temple before Her Majesty. It had shortly afterwards been published by William Griffith of Fleet Street as:-- 'The Tragedy of Gorboduc, whereof Three Actes were wrytten by Thomas Norton and the two last by Thomas Sackvyle. Set forth as the same was shewed before the Queenes most excellent Maiestie in her highnes Court of Whitehall, the xviii day of January Anno Domini 1561, By the gentlemen of Thynner Temple in London.' Day's edition was entitled:-- 'The Tragidie of Ferrex and Porrex, set forth without addition or alteration, but altogether as the same was showed on stage before the Queens Maiestie about nine yeares past, viz. the xviii day of Januarie 1561, by the gentlemen of the Inner Temple.'