The mockery of the trial of Charlotte Corday was not delayed. This
girl belonged to a family of the smaller nobility. In her secluded
life in the country, a mind of superior quality had fed upon the new
philosophy of the period. An enthusiasm for liberty, and a horror of
tyranny, had taken possession of her. In passionate sympathy with the
early purposes of the Revolution, Marat seemed to her a monster, the
incarnation of the spirit which would defeat the cause of Liberty. It
was believed that his list of the proscribed was not confined to Paris,
but that the names of thousands of victims all over France were already
designated. In that extraordinary scene at her trial, when questioned,
she impatiently said, "Yes, yes, I killed him. I killed one man to
save a hundred thousand!"
Nothing was lacking to make this, with one exception, the most dramatic
incident of the Revolution. Her eloquent address, to the French
people, found pinned to the waist of her dress after her execution, and
her splendid courage to the end, rounds out the picturesque story of
her useless martyrdom. A Girondist waiting in the Conciergerie, when
he heard of her crime and end, exclaimed: "It will kill us! But she
has taught us how to die!"
The end did not come so swiftly for the queen, who, after being removed
from the Temple, spent seventy-two days and nights in the dark cell in
that abode of horrors, the Conciergerie. Then came the trial, the
inquisitorial trial, lasting all through the night in the gloom of that
dimly lighted hall. And at half-past four in the morning she heard
without a tremor the terrible words, "Marie Antoinette, widow of Louis
Capet, the Tribunal condemns you to die." Not for a moment did this
intrepid woman quail; and a small detail brings before us vividly her
wonderful calmness. As she reached the stairs in her pitiful return to
her cell, she said simply to the lieutenant of the gendarmes, who was
at her side, "Monsieur, I can scarcely see (_Je vois a peine_); will
you lead me?"
In another half hour the drums were beating in every quarter in
preparation for the event; and at ten o'clock she started upon her last
ride. And how bravely she met her awful fate! We forget her follies,
her reckless extravagances, in admiration for her courage as she rides
to her death, with hands tied behind her, sitting in that hideous
tumbril, head erect, pale, proud, defiant, as if upon a throne (October
16, 1793).
The search-light of scrutiny has been turned upon this unfortunate
woman for more than a century, and all that has been discovered is that
she was pleasure-loving, indiscreet, and absolutely ignorant of the
gravity of her responsibility in the position she occupied.
Public-domain text, read in full here on John Shaqi.
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