Dr. Fowler alternately and inconsistently argues that the "vulgar mind was ready to think of God-couples" (p. 152), and that the conjunctions of masculine and feminine names in the Roman Pantheon "do not represent popular ideas of the deities, but ritualistic forms of invocation" (p. 153). The answer is that the popular mind is the matrix of mythology, and that if a State ritual given to minimizing mythology recognized a given habit of myth-making it was presumably abundant outside. In short, the whole academic process of reducing early Roman religion to something unparalleled in anthropology is as ill-founded in the data as it is repugnant to scientific thought. The differentiation of Greek and Roman religion is to be explained by the culture-history of the two peoples; and that, in turn, was determined by their geographical situation and their special contacts. Roman life was made systematically agricultural and militarist by its initial circumstances, where Greek life in civilized Asia Minor became industrial, artistic, and literary. The special "genius" of Homer, or of various members of an order of bards developed by early colonial-feudal Grecian conditions, would indeed count for much by giving permanent artistic definiteness of form to the Greek Gods, where the early Romans, leaving all the vocal arts mainly to the conservative care of their women and children as something beneath adult male notice, missed the utilization of poetic genius among them till they were long past the period of romantic simplicity (cp. Mommsen, bk. i, ch. 15; Eng. tr. 1894, vol. i, pp. 285-300). Hence the comparative abstractness of their unsung Gods (cp. Schwegler, Römische Geschichte, i, 225-28, and refs.; Boissier, La religion romaine, as cited, i, 8), and the absence of such a literary mythology as was evolved and preserved in Greece by local patriotisms under the stimulus of the great epopees and tragedies. The doctrine that "the Italian is deficient in the passion of the heart," and that therefore "Italian" literature has "never produced a true epos or a genuine drama" (Mommsen, ch. 15, vol. i, p. 284), is one of a thousand samples of the fallacy of explaining a phenomenon in terms of itself. Teuffel with equal futility affirms the contrary: "Of the various kinds of poetry, dramatic poetry seems after all to be most in conformity with the character of the Roman people" (as cited, p. 3; cp. p. 28 as to the epos). On the same verbalist method, Mommsen decides as to the Etruscan religion that "the mysticism and barbarism of their worship had their foundation in the essential character of the Etruscan people" (ch. 12, p. 232). Schwegler gives a more objective view of the facts, but, like other German writers whom he cites, errs in speaking of early