Philosophy, in fact, is a form of poesy; it is, if one pleases so to call it, 'fiction founded upon fact.' It is not for that reason the less noble a form of human thought, rather is it the more noble, in the same way as poetry is nobler than mere narrative, and art than representation, and imagination than perception. Philosophy is indeed one of the noblest forms of poetry, because the facts which are its basis are the profoundest, the most eternally interesting, the most universally significant. And not only has it nobility in respect of the greatness of its subject matter, it has also possibilities of an essential truth deeper and more far-reaching and more fruitful than any demonstrative system of fact can have. A great poem or work of art of any kind is an adumbration of truths which transcend any actual fact, and as such it brings us nearer to the underlying fundamentals of {67} reality which all actual occurrences only by accumulation _tend_ to realise. Philosophy, then, in so far as it is great, is, like other great art, prophetic in both interpretations of the word, both as expounding the inner truth that is anterior to actuality, and also as anticipating that final realisation of all things for which 'the whole creation groaneth.' It is thus at the basis of religion, of art, of morals; it is the accumulated sense of the highest in man with respect to what is greatest and most mysterious in and about him. The facts, indeed, with which philosophy attempts to deal are so vital and so vast that even the greatest intellects may well stagger occasionally under the burden of their own conceptions of them. To rise to the height of such an argument demands a more than Miltonic imagination; and criticisms directed only at this or that fragment of the whole are as irrelevant, if not as inept, as the criticism of the mathematician directed against _Paradise Lost_, that it 'proved nothing.' The mystery of being and of life, the true purport and reality of this world of which we seem to be a part, and yet of which we seem to have some apprehension as though we were other than a part; the strange problems of creation and change and birth and death, of love and sin and purification; of a heaven dreamt of or believed in, or somehow actually apprehended; of life here, and of an immortality yearned after and hoped for--these {68} problems, these mysteries, no philosophy ever did or ever can empty of their strangeness, or bring down to the level of the commonplace 'certainties' of daily life or of science, which are no more than shadows after all, that seem certainties because of the background of mystery on which they are cast.