[Ambroise Tardieu was born in Paris, in 1790, and died in 1837. He was an engraver of portraits, landscapes and architecture, and a clever manipulator of the burin. For a time he held the position of "Geographical Engraver" to the Departments of Marine, Fortifications and Forests. He was a member of the French Geographical and Mathematical Societies.]--_Nagler_. SAINT DOMINIC, . . . . . . . . . . . . . 230 From a photograph of Bozzani's painting, preserved in his cell at Santa Sabina, Rome. Here reproduced from Augusta T. Drane's "History of St. Dominic," by courtesy of the author and the publishers, Longmans, Green & Co., of London and New York. ["Although several so-called portraits (of St. Dominic) are preserved, yet none of them can be regarded as the _vera effigies_ of the saint, though that preserved at Santa Sabina probably presents us with a kind of traditionary likeness."]--_History of St. Dominic_. [In the "History of St. Dominic," on page 226, the author credits the portrait shown to "Bozzani." We are unable to find any record of a painter by that name. Nagler, however, tells of a painter of portraits and historical subjects, Carlo Bozzoni by name, who was born in 1607 and died in 1657. He was a son of Luciano Bozzoni, a Genoese painter and engraver. He is said to have done good work, but no other mention is made of him.] IGNATIUS DE LOYOLA, . . . . . . . . . . . 261 After the engraving by Greatbach, "from a scarce print by H. Wierz." Originally published by Richard Bentley, London, in 1842. [W. Greatbach was a London engraver in the first half of the nineteenth century. He worked chiefly for the "calendars" and "annuals" of his time, and did notable work for the general book trade of the better class.] [A search of the authorities does not reveal an engraver named "H. Wierz." This is probably intended for Hieronymus Wierex (or Wierix, according to Bryant), a famous engraver, born in 1552, and who is credited by Nagler, in his "Künstler-Lexikon," with having produced "a beautiful and rare plate" of "St. Ignaz von Loyola." The error, if such it be, is easily explained by the fact that portrait engravers seldom cut the lettering of a plate themselves, but have it engraved by others, who have a special aptitude for making shapely letters.] BIBLIOGRAPHY