A short history of the printing press and of the improvements in printing machinery from the time of Gutenberg up to the present dayHoe, Robert
History
A short history of the printing press and of the improvements in printing machinery from the time of Gutenberg up to the present day
Hoe, Robert
Printing -- History; Printing machinery and supplies; R. Hoe & Company
[Illustration: FUST AND SCHOEFFER]
[Illustration: CAXTON]
[Illustration: WYNKYN DE WORDE]
THE PRINTING PRESS
About the year 1450, Gutenberg was engaged in printing his first book
from movable types. No method of taking the impressions simpler than
that employed by him can be imagined, unless it be with a “buffer,”
or by means of a brush rubbed over the paper laid upon the “form”
of type, after the manner of the Chinese in printing from engraved
blocks. His printing press consisted of two upright timbers, with
cross pieces of wood to stay them together at the top and bottom.
There were also intermediate cross timbers, one of which supported
the flat “bed” upon which the type was placed, and through another
a wooden screw passed, its lower point resting on the centre of a
wooden “platen,” which was thus screwed down upon the type. After
inking the form with a ball of leather stuffed with wool, the printer
spread the paper over it, laying a piece of blanket upon the paper to
soften the impression of the platen and remove inequalities. This was
the machine which Gutenberg used. The mechanical principle embodied
in it was found in the old cheese and linen presses ordinarily seen
in the houses of medieval times.
[Illustration: THE EARLIEST FORM OF PRINTING PRESS]
Were Gutenberg called upon to print his Bible to-day he would find
virtually the same type ready for his purpose as that made by
him, no change having taken place in its general conformation; but
he would be bewildered in the maze of printing machinery of the
beginning of the twentieth century.
The simple form of wooden press, worked with a screw by means of a
movable bar, continued in use for about one hundred and fifty years,
or until the early part of the seventeenth century, without any
material change. The forms of type were placed upon the same wooden
and sometimes stone beds, incased in frames called “coffins,” moved
in and out laboriously by hand, and after each impression the platen
had to be screwed up with the bar so that the paper which had been
printed upon it might be removed and hung up to dry.
[Illustration: THE BLAEW PRESS]
The first recorded improvements in this press were made by William
Jensen Blaew, a printer of Amsterdam, some time about 1620. They
consisted in passing the spindle of the screw through a square block
which was guided in the wooden frame, and from this block the platen
was suspended by wires or cords; the block, or box, preventing any
twist in the platen, and insuring a more equal motion to the screw.
He also placed a device upon the press for rolling in and out the
bed, and added a new form of iron hand lever for turning the screw.
Blaew’s press was introduced into England, and used there as well
as on the continent, being substantially the same as that Benjamin
Franklin worked upon as a journeyman in London, early in the last
century.
[Illustration: STANHOPE PRESS]
Public-domain text, read in full here on John Shaqi.
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