Transcriber Notes
● There are many inconsistencies in this text. The headings in the
table of contents do not all match the actual headings in the text,
and not all headings in the text are in the table of contents.
There are variations in spelling, hyphenation and capitalization,
missing punctuation, and possible repeated words, particularly in
the transcriptions from the 1692 court proceedings. In the older
text, the letters u/v and I/J are sometimes used differently than
is done today. Aside from a small number of punctuation typos in
the more modern part of the text, and the page and item number
fixes noted below, all inconsistencies and variations have been
left as in the original.
● The page numbers in the Bibliography content list changed to reflect
their actual page numbers in the book. A duplicate (3) in the
Perley’s Chronological Chart section was changed to (2).
● Italics are represented by underscores surrounding the _italic text_.
● Small capitals have been converted to ALL CAPS.
● Descriptions of illustrations without captions added.
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[Illustration: TYPICAL OF THE WITCHCRAFT TRIALS]
------------------------------------------------------------------------
A SHORT HISTORY
OF THE
Salem Village Witchcraft Trials
ILLUSTRATED BY A
Verbatim Report of the Trial of
MRS. ELIZABETH HOWE
A MEMORIAL OF HER
[Illustration: Witch-eclipse of the Moon]
To dance with
Lapland witches, while the lab’ring moon eclipses at their
charms.
—Paradise Lost, ii. 662
MAP AND HALF TONE ILLUSTRATIONS
SALEM, MASS.:
M. V. B. PERLEY, PUBLISHER
1911
------------------------------------------------------------------------
COPYRIGHT, 1911
BY M. V. B. PERLEY
SALEM, MASS.
BOSTON
The Tudor Press
1911
------------------------------------------------------------------------
NOTICE
Greater Salem, the province of Governors Conant and Endicott, is visited
by thousands of sojourners yearly. They come to study the Quakers and
the witches, to picture the manses of the latter and the stately
mansions of Salem’s commercial kings, and breathe the salubrious air of
“old gray ocean.”
Public-domain text, read in full here on John Shaqi.
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