A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_1st._ The _Poets_ make _Women_ speak Smuttily. Of This the Places before
mention'd are sufficient Evidence: And if there was occasion they might be
Multiplyed to a much greater Number: Indeed the _Comedies_ are seldom clear
of these Blemishes: And sometimes you have them in _Tragedy_. For Instance.
The _Orphans Monimia_ makes a very improper Description; And the Royal
_Leonora_ in the _Spanish Friar_, runs a strange Length in the History of
Love _p._ 50. And, do Princesses use to make their Reports with such fulsom
Freedoms? Certainly this _Leonora_ was the first Queen of her Family. Such
raptures are too Lascivious for _Joan_ of _Naples_. Are these the _Tender
Things_ Mr. _Dryden_ says the Ladys call on him for? I suppose he means the
_Ladys_ that are too Modest to show their Faces in the _Pit_. This
Entertainment can be fairly design'd for none but such. Indeed it hits
their Palate exactly. It regales their Lewdness, graces their Character,
and keeps up their Spirits for their Vocation: Now to bring Women under
such Misbehaviour is Violence to their Native Modesty, and a
Mispresentation of their Sex. For Modesty as Mr. _Rapin_[1] observes, is
the _Character_ of Women. To represent them without this Quality, is to
make Monsters of them, and throw them out of their Kind. _Euripides_, who
was no negligent Observer of Humane Nature, is always careful of this
Decorum. Thus _Phædra_[2] when possess'd with an infamous Passion, takes
all imaginable pains to conceal it. She is as regular and reserv'd in her
Language as the most virtuous Matron. 'Tis true, the force of Shame and
Desire; The Scandal of Satisfying, and the difficulty of parting with her
Inclinations, disorder her to Distraction. However, her Frensy is not Lewd;
She keeps her Modesty even after She has lost her Wits. Had _Shakespear_
secur'd this point for his young Virgin _Ophelia_,[3] the _Play_ had been
better contriv'd. Since he was resolv'd to drown the Lady like a Kitten, he
should have set her a swimming a little sooner. To keep her alive only to
sully her Reputation, and discover the Rankness of her Breath, was very
Cruel. But it may be said the Freedoms of Distraction go for nothing, a
Feavour has no Faults, and a Man _non Compos_, may kill without Murther. It
may be so: But then such People ought to be kept in dark Rooms and without
Company. To shew them, or let them loose, is somewhat unreasonable. But
after all, the Modern _Stage_ seems to depend upon this Expedient. Women
are sometimes represented _Silly_, and sometimes _Mad_, to enlarge their
Liberty, and screen their Impudence from Censure: This Politick Contrivance
we have in _Marcella_,[4] _Hoyden_,[5] and Miss _Prue_.[6] However it
amounts to this Confession; that Women when they have their Understandings
about them ought to converse otherwise. In fine; Modesty is the
distinguishing Vertue of that Sex, and serves both for Ornament and
Defence: Modesty was design'd by Providence as a Guard to Virtue; And that
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account