A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
Having in the foregoing _Chapters_ discover'd some part of the Disorders of
the _English Stage_; I shall in this Last, present the _Reader_ with a
short View of the Sense of _Antiquity_, To which I shall add some _Modern_
Authorities; From all which it will appear that _Plays_ have generally been
look'd on as the _Nurseries_ of _Vice_, the _Corrupters_ of _Youth_, and
the _Grievance_ of the _Country_ where they are suffer'd.
This proof from _Testimony_ shall be ranged under these three Heads.
Under the _First_, I shall cite some of the most celebrated _Heathen
Philosophers_, Orators, and Historians; Men of the biggest Consideration,
for Sense, Learning, and Figure. The
_Second_, Shall consist of the _Laws_ and _Constitutions_ of _Princes, &c._
The
_Third_, Will be drawn from _Church-Records_, from _Fathers_, and
_Councils_ of unexceptionable Authority, both as to Persons, and Time.
_1st._ I shall produce some of the most celebrated Heathen Philosophers
_&c._ To begin with _Plato_. 'This Philosopher tells us that _Plays_ raise
the Passions, and pervert the use of them, and by consequence are dangerous
to Morality. For this Reason he banishes these Diversions his
_Common-Wealth_.'[437]
_Xenophon_ who was both a Man of _Letters_ and a great _General_, commends
the _Persians_ for the Discipline of their Education. 'They won't (says he)
so much as suffer their Youth to hear any thing that's Amorous or
Tawdry.'[438] They were afraid want of Ballast might make them miscarry,
and that 'twas dangerous to add weight to the Byass of Nature.
_Aristole_ lays it down for a Rule 'that the Law ought to forbid Young
People the seeing of _Comedies_. Such permissions not being safe till Age
and Discipline had confirm'd them in sobriety, fortified their Virtue, and
made them as it were proof against Debauchery.'[439] This Philosopher who
had look'd as far into Humane Nature as any Man, observes farther. 'That
the force of Musick and _Action_ is very affecting. It commands the
Audience and changes the Passions to a Resemblance of the Matter before
them.'[440] So that where the Representation is foul, the Thoughts of the
Company must suffer.
_Tully_ crys out upon 'Licentious _Plays_ and _Poems_, as the bane of
Sobriety, and wise Thinking: That _Comedy_ subsists upon Lewdness, and that
Pleasure is the Root, of all Evil.'[441]
_Livy_, reports the Original of _Plays_ among the _Romans_. 'He tells us
they were brought in upon the score of Religion, to pacifie the Gods, and
remove a _Mortality_. But then He adds that the Motives are sometimes good,
when the Means are stark naught: That the Remedy in this case was worse
than the Disease, and the Atonement more Infectious then the Plague.'[442]
Public-domain text, read in full here on John Shaqi.
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