A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_Valerius Maximus_, Contemporary with _Livy_, gives much the same Account
of the rise of _Theatres_ at _Rome_. 'Twas Devotion which built them. And
as for the Performances of those Places, which Mr. _Dryden_ calls the
_Ornaments_, this Author censures as the Blemishes of _Peace_.' And which
is more, He affirms 'They were the Occasions of Civil Distractions; And
that the _State_ first Blush'd, and then Bled, for the Entertainment.[443]
He concludes the consequences of _Plays_ intolerable;[444] And that the
_Massilienses_ did well in clearing the Country of them. _Seneca_ complains
heartily of the Extravagance and Debauchery of the Age: And how forward
People were to improve in that which was naught. That scarce any Body would
apply themselves to the Study of Nature and Morality, unless when the
_Play-House_ was shut, or the Weather foul. That there was no body to teach
_Philosophy_, because there was no body to Learn it: But that the _Stage_
had _Nurseries_, and Company enough. This Misapplication of time and Fancy,
made Knowledge in so ill a Condition. This was the Cause the Hints of
Antiquity were no better pursued; that some Inventions were sunk, and that
Humane Reason grew Downwards rather than otherwise.[445] And elswhere he
avers that there is nothing more destructive to Good Manners then to run
Idling to see _Sights_. For there Vice makes an insensible Approach, and
steals upon us in the Disguise of pleasure.[446]
'_Tacitus_ relating how _Nero_ hired decay'd Gentlemen for the _Stage_,
complains of the Mismanagement;[447] And lets us know 'twas the part of a
Prince to releive their Necessity, and not to Tempt it. And that his Bounty
should rather 'have set them above an ill practise, than driven them
upon't.'
And in another place, He informs us that 'the German Women were Guarded
against danger, and kept their Honour out of Harms way, by having no
_Play-Houses_ amongst them.'[448]
_Plays_, in the Opinion of the Judicious _Plutark_ are dangerous to corrupt
Young People; And therefore _Stage_ Poetry when it grows too hardy, and
Licentious, ought to be checkt.[449] This was the Opinion of these
Celebrated _Authors_ with respect to _Theatres_: They Charge them with the
Corruption of Principles, and Manners, and lay in all imaginable Caution
against them. And yet these Men had seldom any thing but this World in
their Scheme; and form'd their Judgments only upon Natural Light, and
Common Experience. We see then to what sort of Conduct we are oblig'd. The
case is plain; Unless we are little enough to renounce our Reason, and fall
short of Philosophy, and live _under_ the Pitch of _Heathenism_.
To these Testimonies I shall add a Couple of _Poets_, who both seem good
Judges of the Affair in Hand.
Public-domain text, read in full here on John Shaqi.
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