A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
The first is _Ovid_, who in his Book _De Arte Amandi_, gives his _Reader_
to understand that the _Play-House_ was the most likely Place for him to
Forage in. Here would be choice of all sorts: Nothing being more common
than to see Beauty surpriz'd, Women debauch'd, and Wenches Pick'd up at
these Diversions.
_Sed tu præcique curvis venare Theatris,
Hæc loca sunt voto fertiliora tuo.
---- ruit ad celebres cultissima Fæmina Ludos;
Copia judicium sæpe morata meum est.
Spectatum veniunt, veniunt Spectentur ut ipsæ;
Ille locus casti damna pudoris habet._[450]
And afterwards relating the imperfect beginning of _Plays_ at the Rape of
the _Sabine_ Virgins, he adds,
_Silicit exillo solennia more Theatra
Nunc quoque formosis insidiosa manent._
This _Author_ some time after wrote the _Remedy_ of _Love_. Here he
pretends to Prescribe for Prudence, if not for Sobriety. And to this
purpose, He forbids the seeing of _Plays_, and the reading of _Poets_,
especially some of them. Such Recreations being apt to feed the
_Distemper_, and make the _Patient_ relapse.
_At tanti tibi sit non indulgere Theatris
Dum bene de cacuo Pectore cedat amor.
Enervant animos Citharæ, Cantusque, lyraque
Et vox, & numeris brachia mota suis.
Illic assidue ficti saltantur amantes,
Quid, caveas, actor, quid juvet, arte docet_.[451]
In his _De Tristibus_, He endeavours to make some Amends for his scandalous
_Poems_, and gives _Augustus_ a sort of _Plan_ for a Publick _Reformation_.
Amongst other Things, he advises the suppressing of _Plays_, as being the
promoters of Lewdness, and Dissolution of Manners.
_Ut tamen hoc fatear ludi quoque semina præbent
Nequitiæ, tolli tota Theatra jube._[452]
To the Testimony of _Ovid_, I could add _Plautus_, _Propertius_, and
_Juvenal_, but being not willing to overburthen the _Reader_, I shall
content my self with the _Plain-Dealer_ as one better known at _Home_.
This _Poet_ in his _Dedication_ to _Lady B_, some Eminent _Procuress_,
pleads the Merits of his Function, and insists on being Billeted upon _free
Quarter_. _Madam_ (says he) _I think a Poet ought to be as free of your
Houses, as of the Play-Houses: since he contributes to the support of both,
and is as necessary to such as you, as the Ballad-singer to the Pick-purse,
in Convening the Cullies at the Theatres to be pick'd up, and Carried to a
supper, and Bed, at your Houses._[453] This is franck Evidence, and ne're
the less true, for the Air of a Jest.
I shall now in the Second Place proceed to the _Censures_ of the _State_;
And show in a few Words how much the _Stage_ stands discouraged by the
_Laws_ of other Countrys and our own.
To begin with the _Athenians_.[454] This People tho' none of the worst
Freinds to the _Play-House_ 'thought a _Comedy_ so unreputable a
Performance, that they made a Law that no Judge of the _Ariopagus_ should
make one.'
Public-domain text, read in full here on John Shaqi.
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