A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
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A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
'But as he goes on,[478] some peoples Faith is either too full of Scruples,
or too barren of Sense. Nothing will serve to settle them but a plain Text
of _Scripture_. They hover in uncertainty because 'tis not said as expresly
thou shalt not go to the _Play-House_, as 'tis thou shalt not Kill. But
this looks more like Fencing than Argument. For we have the Meaning of the
prohibition tho' not the sound, in the first _Psalm. Blessed is the Man
that walks not in the Council of the Ungodly, nor stands in the way of
Sinners, nor sits in the Seat of the Scornful._
'The _Censors_ whose business 'twas to take care of Regularity and
Manners,[479] look'd on these _Play-Houses_ as no other than _Batteries_
upon Virtue and Sobriety, and for this reason often pull'd them down before
they were well built, so that here we can argue from the _Precedents_ of
meer _Nature_, and plead the _Heathens_ against themselves. Upon this view
_Pompey_ the Great, when he built his _Dramatick_ Bawdy-House, clapp'd a
_Chappel_ a Top on't. He would not let it go under the Name of a
Play-House, but conven'd the people to a Solemn Dedication, and called it
_Venus's_ Temple; Giving them to understand at the same time that there
were _Benches_ under it for Diversion. He was afraid if he had not gone
this way to work, The _Censors_ might afterwards have razed the Monument,
and branded his Memory. Thus a Scandalous pile of Building was protected:
The Temple, cover'd the _Play-House_, and Discipline was baffled by
_Superstition_. But the Design is notably suited to the Patronage of
_Bacchus_[480] and _Venus_. These two Confederate Devils of Lust and
Intemperance, do well together. The very Functions of the _Players_
resemble their _Protectors_, and are instances of Service and
Acknowledgment. Their Motion is effeminate, and their Gestures vitious and
Significant: And thus they worship the Luxury of one _Idoll_, and the
Lewdness of the other.
'And granting the Regards of Quality, the Advantages of Age, or Temper, may
fortifie some People;[481] granting Modesty secur'd, and the Diversion as
it were refin'd by this Means: Yet a Man must not expect to stand by
perfectly unmoved, and impregnable. No body can be pleas'd without Sensible
Impressions. Nor can such Perceptions be received without a Train of
Passions attending them. These Consequences will be sure to work back upon
their Causes, solicite the Fancy, and heighten the Original Pleasure. But
if a Man pretends to be a _Stoick_ at _Plays_, he falls under another
Imputation. For where there is no Impression, there can be no Pleasure: And
then the _Spectator_ is very much Impertinent, in going where he gets
nothing for his Pains. And if this were all; I suppose Christians have
something else to do than to ramble about to no purpose.[482]
Public-domain text, read in full here on John Shaqi.
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