A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
This Subject is generally treated Home, and in the most tender and
passionate manner imaginable. Tis often the governing Concern: The
Incidents make way, and the _Plot_ turns upon't. As matters go, the Company
expect it: And it may be the _Poets_ can neither Write, nor Live without
it. This is a cunning way enough of stealing upon the Blind Side, and
Practising upon the Weakness of humane Nature. People love to see their
_Passions_ painted no less than their _Persons_: And like _Narcissus_ are
apt to dote on their own Image. This Bent of self Admiration recommends the
Business of _Amours_, and engages the Inclination. And which is more, these
Love-representations oftentimes call up the Spirits, and set them on work.
The _Play_ is acted over again in the _Scene_ of Fancy, and the first
Imitation becomes a Model. _Love_ has generally a _Party Within_; And when
the Wax is prepared, the Impression is easily made. Thus the Disease of the
Stage grows Catching: It throws its own _Amours_ among the Company, and
forms these Passions when it does not find them. And when they are born
before, they thrive extreamly in this _Nursery_. Here they seldom fail
either of Grouth, or Complexion. They grow strong, and they grow Charming
too. This is the best Place to recover a Languishing Amour, to rowse it
from Sleep, and retrieve it from Indifference. And thus Desire becomes
Absolute, and forces the Oppositions of Decency and Shame. And if the
Misfortune does not go thus far, the consequences are none of the best. The
Passions are up in Arms, and there's a mighty Contest between Duty, and
Inclination. The Mind is over-run with Amusements, and commonly good for
nothing sometime after.
I don't say the _Stage_ Fells all before them, and disables the whole
_Audience_: 'Tis a hard Battle where none escapes. However, Their
_Triumphs_ and their _Tropheys_ are unspeakable. Neither need we much
wonder at the Matter. They are dangerously Prepar'd for Conquest, and
Empire. There's Nature, and Passion, and Life, in all the Circumstances of
their _Action_. Their Declamation, their _Mein_ their Gestures, and their
Equipage, are very moving and significant. Now when the Subject is
agreeable, a lively Representation, and a Passionate way of Expression,
make wild work, and have a strange Force upon the Blood, and Temper.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account