A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
Were it not for the _Creed_, these _Poets_ would be crampt in their
Courtship, and Mightily at a loss for a Simile! But _Osmin_ is in a
wonderful Passion. And truly I think his Wits, are in some danger, as well
as his Patience. You shall hear.
_What are Wracks, and, Whips, and Wheels to this;
Are they not soothing softness, sinking Ease,
And wasting Air to this?_
_Sinking Ease, and Wasting Air_, I confess are strange comforts; This
Comparison is somewhat oddly equip'd, but Lovers like sick People may say
what they please! _Almeria_ takes this Speech for a Pattern, and suits it
exactly in her return.
_O I am struck, thy words are Bolts of Ice?
Which shot into my Breast now melt and chill me._
_Bolts of Ice?_ Yes most certainly! For the Cold is struck up into her
Head, as you may perceive by what follows.
_I chatter, shake, and faint with thrilling Fears._
By the way 'tis a mighty wonder to hear a Woman Chatter! But there is no
jesting, for the Lady is very bad. She won't be held up by any Means, but
Crys out:
----_lower yet, down down_;
One would think she was learning a Spanel to _Sett_. But there's something
behind.
----_no more we'll lift our Eyes,
But prone and dumb, Rot the firm Face of Earth,
With Rivers of incessant scalding Rain._
These Figures are some of them as stiff as Statues, and put me in mind of
_Sylvesters Dubartas_.
_Now when the Winters keener breath began
To Crystallize, the Baltick Ocean,
To glaze the Lakes, to bridle up the Floods,
And periwig with Snow the bald pate woods._
I take it, the other Verses are somewhat of Kin to These, and shall leave
them to Mr. _Dryden's_ Reflection.[62] But then as for _Soothing Softness,
Sinking Ease, Wasting Air, thrilling Fears, and incessant scalding Rain_;
It puts me to another stand. For to talk a little in the way of the
_Stage_. This Litter of _Epithetes_ makes the _Poem_ look like a Bitch
overstock'd with Puppies, and sucks the Sence almost to skin and Bone. But
all this may pass in a _Playhouse_: False Rhetorick and false Jewells, do
well together. To return to _Euripides_. _Cassandra_ in reporting the
Misfortunes of the _Greeks_ stops at the Adulteries of _Clytemnestra_ and
_Ægiala_ And gives this handsome reason for making a Halt.
[Greek: Sigan ameinon taischra, mêde mousa moi][63]
[Greek: Genoit aoidos hêtis hymnêsei kaka.]
_Foul Things are best unsaid, I am for no Muse,
That loves to flourish on Debauchery._
Public-domain text, read in full here on John Shaqi.
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument — John Shaqi
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