A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument — John Shaqi
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_3d._ Place. That notwithstanding the scandalous Liberty for which
_Aristophanes_ is so remarkable; yet in his Lucid Intervalls, when Sence
and Sobriety return upon him, he pronounces against his own Practise. In
the contest between _Æschylus_ and _Euripides_, _Bacchus_ is made the
Umpire of the Controversie. _Æschylus_ begins with a Question,[91] and asks
_Euripides_ what 'tis which makes a _Poet_ admired? He answers. 'Tis for
the address of his Conduct, and the handsome Turns of Morality in his
Poems. 'Tis because his performance has a tendency to form the Audience to
Virtue, and Improvement, _Æschylus_ demands of him farther; But suppose you
debauched the Age, and made an Honest and a brave People Lewd, and good for
nothing, what do you deserve then? Here _Bacchus_ interposes, and crys out,
what does he deserve? A Halter! pray don't ask so plain a question. And
afterwards we are told, that _Poets_ are valuable only for describing
Things useful, in Life and Religion, for polishing Inventions, and setting
off great Examples with Lustre, and Advantage.[92] In the progress of the
Dispute, _Æschylus_ taxes _Euripides_ with being too uncautious in his
Representations; And tells him that Poets ought to conceal that which is
vicious in Story; And entertain with nothing but Virtue, and Sobriety: He
goes on reprimanding _Euripides_ for his Dramatick incests, Strumpets, and
Amours: And as for himself, to his best remembrance, He never brought any
Love-Intrigues upon the Stage.[93]
This is very significant expostulation: and contains very good Rules for
the Trial of the _Muses_: But if the English _Stage_, should be obliged to
this Test; _Aristophanes_ must set fire to it, and that with much more
reason than to _Socrates_ his _School_. Now that _Æschylus_ spoke
_Aristophanes_'s Sense is pretty plain: For first; As to the Business of
Love, _Aristophanes_ always declines it; He never patches up a _Play_ with
_Courtship_, and _Whining_, tho' he wrote nothing but _Comedy_. In the next
place the _Chorus_ which is usually the _Poets_ Interpreter, speaks
honourably of _Æschylus_ even to a Preference;[94] And at last Judge
_Bacchus_ gives Sentence for him.
Thus we see _Aristophanes_ Confutes his own Lewdness, and comes in Evidence
against himself. This with the other two Exceptions I have made good
against him, are sufficient to take off the Force of the _Precedent_, and
make him an insignificant Authority.
To what I have observ'd from the _Stage_ of the Antients, I could add the
Authorities of _Aristotle_, and _Quintilian_, both extraordinary Persons,
but I shall reserve their Testimony till Afterwards.
To come Home, and near our own Times: The English Theatre from Queen
_Elizabeth_ to King _Charles_ II. will afford us something not
inconsiderable to our purpose.
As for _Shakespear_, he is too guilty to make an Evidence: But I think he
gains not much by his Misbehaviour; He has commonly _Plautus's Fate_, where
there is most Smut, there is least Sense.
Public-domain text, read in full here on John Shaqi.
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