A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
suspect they are nearer Allyed than either our Philosophers, or School
Divines will allow them to be._[129] The meaning is, he suspects our Souls
are nothing but Organiz'd Matter. Or in plain English, our _Souls_ are
nothing but our Bodies. And then when the Body dies you may guess what
becomes of them! Thus the Authorities of Religion are weaken'd, and the
prospect of the other World almost shut up. And is this a likely
Supposition for Sincerity and good Nature? Do's Honour use to rise upon the
Ruines of Conscience? And are People the best Friends where they have the
least Reason to be so? But not only the Inclinations to Friendship must
Languish upon this Scheme, but the very Powers of it are as it were
destroy'd. By this Systeme no Man can say his Soul is his own. He can't be
assured the same Colours of Reason and Desire will last. Any little
Accident from _without_ may metamorphose his Fancy, and push him upon a new
set of Thoughts. _Matter_ and _Motion_ are the most Humorsom Capricious
Things in Nature; and withall, the most Arbitrary and uncontroll'd. And can
Constancy proceed from Chance, Choice from Fate, and Virtue from Necessity?
In short a Man at this rate must be a Friend or an Enemy in spite of his
Teeth, and just as long as the _Atoms_ please and no longer. Every Change
in _Figure_ and _Impulse_, must alter the Idea, and wear off the former
Impression. So that by these Principles, Friendship will depend on the
_Seasons_, and we must look in the _Weather Glass_ for our Inclinations.
But this 'tis to Refine upon Revelation, and grow wiser than Wisdom! The
same Author in his Dedication of _Juvenal_ and _Persius_, has these words:
_My Lord, I am come to the last Petition of_ Abraham;[130] _If there be ten
Righteous Lines in this vast Preface, spare it for their sake; and also
spare the next City because it is but a little one_. Here the Poet stands
for _Abraham_; and the Patron for God Almighty: And where lies the Wit of
all this? In the Decency of the Comparison? I doubt not. And for the _next
City_ he would have spared, he is out in the Allusion. 'Tis no _Zoar_, but
much rather _Sodom_ and _Gomorrah_, Let them take care the Fire and
Brimstone does not follow: And that those who are so bold with _Abraham_'s
Petition, are not forced to that of _Dives_. To beg Protection for a Lewd
Book in _Scripture Phrase_, is very extraordinary! 'Tis in effect to
Prostitute the Holy Rhetorick, and send the _Bible_ to the _Brothell_! I
can hardly imagin why these Tombs of Antiquity were raked in, and
disturb'd? Unless it were to conjure up a departed Vice, and revive the
Pagan Impurities: Unless it were to raise the Stench of the Vault, and
Poyson the Living with the Dead. Indeed _Juvenal_ has a very untoward way
with him in some of his Satyrs. His Pen has such a Libertine stroak that
'tis a Question whether the Practise, or the Reproof, the Age, or the
Author, were the more Licentious. He teaches those Vices he would correct,
Public-domain text, read in full here on John Shaqi.
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