A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
Mr. _Dryden_ makes Homewards, and endeavours to fortifie himself in Modern
Authority. He lets us know that _Ben Johnson after whom he may he proud to
Err, gives him more than one example of this Conduct_;[316] _That in the_
Alchemist _is notorius_, where neither _Face_ nor his _Master_ are
corrected according to their Demerits. But how Proud soever Mr. _Dryden_
may be of an Errour, he has not so much of _Ben Jonson_'s company as he
pretends. His Instance of _Face &c._ in the _Alchemist_ is rather
_notorious_ against his Purpose then for it.
For _Face_ did not Council his Master _Lovewit_ to debauch the Widdow;
neither is it clear that the Matter went thus far. He might gain her
consent upon Terms of Honour for ought appears to the contrary. 'Tis true
_Face_ who was one of the Principal Cheats is Pardon'd and consider'd. But
then his Master confesses himself kind to a fault. He owns this Indulgence
was a Breach of Justice, and unbecoming the Gravity of an old Man. And then
desires the Audience to excuse him upon the Score of the Temptation. But
_Face continued, in the Cousenage till the last without Repentance_.[317]
Under favour I conceive this is a Mistake. For does not _Face_ make an
Apology before he leaves the _Stage_? Does he not set himself at the _Bar_,
arraign his own Practise, and cast the Cause upon the Clemency of the
Company? And are not all these Signs of the Dislike of what he had done?
Thus careful the _Poet_ is to prevent the Ill Impressions of his _Play_! He
brings both Man and Master to Confession. He dismisses them like
Malefactours; And moves for their Pardon before he gives them their
Discharge. But the _Mock-Astrologer_ has a gentler Hand: _Wild-Blood_ and
_Jacinta_ are more generously used: There is no Acknowledgment exacted; no
Hardship put upon them: They are permitted to talk on in their Libertine
way to the Last: And take Leave without the least Appearance of
Reformation. The _Mock-Astrologer_ urges _Ben Johnson's_ _Silent Woman_ as
an other _Precedent_ to his purpose. For _there_ Dauphine _confesses
himself in Love with all the Collegiate Lady's_. _And yet this naughty_
Dauphine _is Crowned in the end with the Possession of his Uncles Estate,
and with the hopes of all his Mistresses_.[318] This Charge, as I take it,
is somewhat too severe. I grant _Dauphine_ Professes himself in Love with
the Collegiate Ladies at first. But when they invited him to a private
Visit, he makes them no Promise; but rather appears tired, and willing to
disengage. _Dauphine_ therefore is not altogether so naughty as this Author
represents him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account