A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_Ben Johnson's_ _Fox_ is clearly against Mr. _Dryden_. And here I have his
own Confession for proof. He declares the _Poets end in this Play was the
Punishment of Vice, and the Reward of Virtue_.[319] _Ben_ was forced to
strain for this piece of Justice, and break through the _Unity of Design_.
This Mr. _Dryden_ remarks upon him: How ever he is pleased to commend the
Performance, and calls it an excellent _Fifth Act_.
_Ben Johnson_ shall speak for himself afterwards in the Character of a
Critick; In the mean time I shall take a Testimony or two from
_Shakespear_. And here we may observe the admir'd _Falstaffe_ goes off in
Disappointment. He is thrown out of Favour as being a _Rake_, and dies like
a Rat behind the Hangings. The Pleasure he had given, would not excuse him.
The _Poet_ was not so partial, as to let his Humour compound for his
Lewdness. If 'tis objected that this remark is wide of the Point, because
_Falstaffe_ is represented in Tragedy, where the Laws of Justice are more
strickly observ'd, To this I answer, that you may call _Henry_ the Fourth
and Fifth, Tragedies if you please. But for all that, _Falstaffe_ wears no
_Buskins_, his Character is perfectly Comical from end to end.
The next Instance shall be in _Flowerdale_ the _Prodigal_. This Spark
notwithstanding his Extravagance, makes a lucky Hand on't at last, and
marries a rich Lady.[320] But then the Poet qualifies him for his good
Fortune, and mends his Manners with his Circumstances. He makes him repent,
and leave off his Intemperance, Swearing _&c._ And when his Father warn'd
him against a Relapse, He answers very soberly,
_Heaven helping me I'le hate the Course of Hell._
I could give some instances of this kind out of _Beaumount_ and _Fletcher_,
But there's no need of any farther Quotation; For Mr. _Dryden_ is not
satisfied with his Apology from Authority: He does as good as own that this
may be construed no better than defending one ill practise by another. To
prevent this very reasonable objection he endeavours to vindicate his
_Precedents_ from the Reason of the Thing. To this purpose he _makes a wide
difference between the Rules of Tragedy and Comedy. That Vice must be
impartially prosecuted in the first, because the Persons are Great &c._
Public-domain text, read in full here on John Shaqi.
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