A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
Thus we see how these great _Masters_ qualify Diversion, and tie it up to
_Provisoes,_ and Conditions. Indeed to make _Delight_ the main business of
_Comedy_ is an unreasonable and dangerous Principle. It opens the way to
all Licentiousness, and Confounds the distinction between Mirth, and
Madness. For if Diversion is the _Chief End_, it must be had at any Price,
No serviceable Expedient must be refused, tho' never so scandalous. And
thus the worst Things are said, and best abus'd; Religion is insulted, and
the most serious Matters turn'd into Ridicule! As if the Blindside of an
Audience ought to be caress'd, and their Folly and Atheism entertain'd in
the first Place. Yes, if the Palate is pleas'd, no matter tho' the Body is
Poyson'd! For can one die of an easier Disease than Diversion? But Raillery
apart, certainly Mirth and Laughing, without respect to the Cause, are not
such supreme Satisfactions! A man has sometimes Pleasure in losing his
Wits. Frensy, and _Possession_, will shake the Lungs, and brighten the
Face; and yet I suppose they are not much to be coveted. However, now we
know the Reason of the Profaness, and Obscenity of the _Stage_, of their
Hellish Cursing, and Swearing, and in short of their great Industry to make
God, and Goodness Contemptible: 'Tis all to Satisfie the Company, and make
People Laugh! A most admirable justification! What can be more engaging to
an _Audience_, then to see a _Poet_ thus Atheistically brave? To see him
charge up to the Canons Mouth, and defy the Vengeance of Heaven to serve
them? Besides, there may be somewhat of Convenience in the Case. To fetch
Diversion out of Innocence is no such easy matter. There's no succeeding it
may be in this method, without Sweat, and Drudging. Clean Wit, inoffensive
Humour, and handsom Contrivance, require Time, and Thought. And who would
be at this Expence, when the Purchase is so cheap another way? 'Tis
possible a _Poet_ may not alwaies have Sense enough by him for such an
Occasion. And since we are upon supposals, it may be the _Audience_ is not
to be gain'd without straining a Point, and giving a Loose to Conscience:
And when People are sick, are they not to be Humour'd? In sine, We must
make them Laugh, right or wrong, for _Delight_ is the _Cheif End of
Comedy_. _Delight!_ He should have said _Debauchery_: That's the English of
the Word, and the Consequence of the Practise. But the Original Design of
_Comedy_ was otherwise: And granting 'twas not so, what then? If the _Ends_
of Thing are naught, they must be mended. Mischief is the Chief end of
Malice, would it be then a Blemish in Ill Nature to change Temper, and
relent into Goodness? The Chief _End_ of a Madman it may be is to Fire a
House, must we not therefore bind him in his Bed? To conclude. If _Delight_
without Restraint, or Distinction without Conscience or Shame, is the
Supream Law of _Comedy_, 'twere well if we had less on't. Arbitrary
Pleasure, is more dangerous than Arbitrary Power.
Public-domain text, read in full here on John Shaqi.
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