A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
_Dryden_ answers that _Jupiter_
can do us no Harm.[358] He is known to be an Idol of Lewd Memory, and
therefore his Example can have no Force: Under Favour this is a mistake:
For won't Pitch daub when a dirty Hand throws it; or can't a Toad spit
Poyson because she's ugly? Ribaldry is dangerous under any Circumstances of
Representation. And as _Menander_ and St. _Paul_ express it, _Evil
Communications corrupt good Manners_. I mention them both, because if the
_Apostle_ should be dislik'd, the _Comedian_ may pass. But after all, Mr.
_Dryden_ has not so much as a Heathen President for his Singularities. What
then made him fall into them? Was it the Decency of the Thing, and the
Propriety of _Character_, and Behaviour? By no means. For as I have
observ'd before, Nature and Operations, ought to be proportion'd, and
Behaviour suited to the Dignity of Being. To draw a Monkey in Royal Robes,
and a Prince in _Antick_, would be Farce upon Colours, entertain like a
Monster, and please only upon the score of Deformity. Why then does Mr.
_Dryden_ cross upon Nature and Authority, and go off as he Confesses, from
the Plan of _Plautus_, and _Moliere_? Tho' by the way, the English
_Amphitryon_ has borrow'd most of the Libertine Thoughts of _Moliere_, and
improv'd them. But to the former question. Why must the beaten Road be
left? He tells us, _That the difference of our_ Stage _from the Roman and
the French did so require it_.[359] That is, our _Stage_ must be much more
Licentious. For you are to observe that Mr. _Dryden_, and his Fraternity,
have help'd to debauch the _Town_, and Poyson their Pleasures to an unusal
Degree: And therefore the Diet must be dress'd to the Palate of the
_Company_. And since they are made _Scepticks_, they must be entertain'd as
such. That the English _Amphitryon_ was contriv'd with this View is too
plain to be better interpreted. To what purpose else does _Jupiter_ appear
in the shape of _Jehovah_? Why are the incommunicable _Attributes_
burlesqu'd, and Omnipotence applyed to Acts of Infamy? To what end can such
Horrible stuff as this serve, unless to expose the Notion, and extinguish
the Belief of a Deity? The Perfections of God, are Himself. To ridicule his
Attributes and his Being, are but two words for the same Thing. These
Attributes are bestow'd on _Jupiter_ with great Prodigality, and afterwards
execrably outrag'd. The Case being thus, the Cover of an Idol, is too thin
a pretence to Screen the Blasphemy. Nothing but Mr. _Dryden's Absolom_ and
_Achitophel_ can out-do This. Here I confess the Motion of his Pen is
bolder, and the Strokes more Black'd. Here we have Blasphemy on the top of
the Letter, without any trouble of Inference, or Construction. This Poem
runs all upon Scripture Names, Upon Suppositions of the true Religion, and
the right Object of Worship. Here Profaness is shut out from Defence, and
lies open without Colour or Evasion. Here are no Pagan Divinities in the
Public-domain text, read in full here on John Shaqi.
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