A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
Scheme, so that all the Atheistick Raillery must point upon the true God.
In the beginning we are told that _Absalom_ was _David's_ Natural Son: So
then there's a blot in his _Scutcheon_ and a Blemish upon his Birth. The
_Poet_ will make admirable use of this, remark presently! This _Absalom_ it
seems was very extraordinary in his Person and Performances. Mr. _Dryden_
does not certainly know how this came about, and therefore enquires of
himself in the first place,
_Whether inspired with a diviner Lust,
His Father got him_----[360]
This is down right Defiance of the Living God! Here you have the very
Essence and Spirit of Blasphemy, and the Holy Ghost brought in upon the
most hideous Occasion. I question whether the Torments and Despair of the
Damn'd, dare venture at such Flights as these. They are beyond Description,
I Pray God they may not be beyond Pardon too. I can't forbear saying, that
the next bad Thing to the writing these Impieties, is to Suffer them. To
return to _Amphitryon_. _Phoebus_ and _Mercury_ have _Manners_ assign'd
very disagreeable to their Condition. The later abating Propriety of
Language, talks more like a _Water-man_ than a Deity. They rail against the
Gods, and call _Mars_ and _Vulcan_ the _two Fools of Heaven. Mercury_ is
pert upon his Father _Jupiter_, makes jests upon his Pleasures, and his
Greatness, and is horribly smutty and profane.[361] And all this
Misbehaviour comes from him in his own shape, and in the sublimity of his
Character. Had He run Riot in the Disguise of _Sofia_, the Discourse and
the Person had been better adjusted, and the Extravagance more Pardonable.
But here the Decorum is quite lost. To see the _Immortals_ play such
Gambols, and the biggest Beings do the least Actions, is strangely
unnatural. An Emperour in the Grimaces of an Ape, or the Diversions of a
Kitten, would not be half so ridiculous. Now as Monsieur _Rapin_ observes,
without Decorum there can be no _probability_, nor without Probability any
true Beauty. Nature must be minded, otherwise Things will look forced,
tawdry, and chimerical. Mr. _Dryden_ discourses very handsomly on this
occasion in his _Preface_ to _Albion_ and _Albanius_.[362] He informs us,
_That Wit has been truly defin'd a propriety of Words and Thoughts.----That
Propriety of Thought is that Fancy which arises naturally from the
Subject._ Why then without doubt, the Quality, of Characters should be
taken care of, and great Persons appear like themselves. Yes, yes, all this
is granted by implication, and Mr. _Dryden_ comes still nearer to the
present case. He tells us, that _Propriety is to be observed, even in
Machines; And that the Gods are all to manage their Peculiar Provinces_. He
instances in some of their respective Employments; but I don't find that
any of them were to talk Lewdly. No. He plainly supposes the contrary. For
as he goes on, _If they were to speak upon the Stage it would follow of
necessity, that the Expressions should be Lofty, Figurative, and
Public-domain text, read in full here on John Shaqi.
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