A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this ArgumentCollier, Jeremy
General
A Short View of the Immorality, and Profaneness of the English Stage: Together with the Sense of Antiquity on this Argument
Collier, Jeremy
Theater -- England -- Early works to 1800; Theater -- Moral and ethical aspects -- Early works to 1800
Majestical_. It seems then their Behaviour should be agreeable to their
Greatness. Why then are not these Rules observ'd, in the _Machines_ of
_Amphitrion_? As I take it, Obscenity has not the Air of Majesty, nor any
Alliance with the _Sublime_. And as for the _Figurative_ Part, 'tis
generally of the same Cut with the _Lofty_: The Smut shines clear, and
strong, through the Metaphor, and is no better screen'd than the Sun by a
Glass Window. To use _Mercury_ thus ill, and make the God of Eloquence
speak so unlike himself is somewhat strange! But tho' the _Antients_ knew
nothing of it, there are Considerations above those of _Decency_. And when
this happens, _A Rule must rather be trespass'd on, than a Beauty left
out_. 'Tis Mr. _Dryden's_ opinion in his _Cleomenes_, where he breaks the
_Unity of Time_, to describe the _Beauty_ of a Famine.[363] Now Beauty is
an arbitrary Advantage, and depends upon Custom and Fancy. With some People
the Blackest Complexions are the handsomest. 'Tis to these _African_
Criticks that Mr. _Dryden_ seems to make his Appeal. And without doubt he
bespeaks their Favour, and strikes their Imagination luckily enough. For to
lodge Divinity and Scandal together; To make the Gods throw _Stars_, like
_Snow-balls_ at one another, but especially to Court in Smut, and rally in
Blasphemy, is most admirably entertaining! This is much better than all the
Niceties of _Decorum_. 'Tis handsomly contriv'd to slur the Notion of a
Superiour Nature, to disarm the Terrors of Religion, and make the Court
Above as Romantick as that of the _Fairies_. A Libertine when his
Conscience is thus reliev'd, and Atheism sits easie upon his Spirits, can't
help being grateful upon the Occasion. Meer Interest will oblige him to cry
up the Performance, and solicit for the _Poets_ Reputation! Before I take
leave of these _Machines_, it may not be amiss to enquire why the Gods are
brought into the _Spiritual Court_.[364] Now I suppose the Creditableness
of the Business, and the _Poets_ Kindness to those _Places_, are the
principal Reasons of their coming. However. He might have a farther Design
in his Head, and that is, to bring _Thebes_ to _London_, and to show the
Antiquity of _Doctors Commons_. For if you will believe _Mercury_, this
Conference between him and _Phoebus_ was held three thousand years
ago.[365] Thus _Shakespear_ makes _Hector_ talk about _Aristotles_
Philosophy,[366] and calls Sr. _John Old Castle_, _Protestant_.[367] I had
not mention'd this Discovery in Chronology, but that Mr. _Dryden_ falls
upon _Ben Johnson_, for making _Cataline give Fire at the Face of a Cloud_,
before Guns were invented.
By the Pattern of these pretended _Deities_, we may guess what sort of
_Mortals_ we are likely to meet with. Neither are we mistaken. For
_Phædra_, is bad enough in all Conscience, but _Bromia_ is a meer Original.
Indeed when Mr. _Dryden_ makes _Jupiter_, and _Jupiter_ makes the Women,
little less can be expected. So much for _Amphitrion_.
Public-domain text, read in full here on John Shaqi.
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