Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
But I stood in silence, my eyes fixed upon the stone pavement, while my
little companion, trembling with excitement, put his first, troubled,
anxious question: “Dear Mr. No. 3, are you truly a-goin’ to die?”
The silence that came upon the occupants of the other cells at this
question might have been the silence of death. Mr. No. 3 made a little
sound like that the grown-ups make sometimes, and afterward say: “Oh,
I had, a stitch in my side!” and then he answered, “Why--er--yes, my
boy--we are all going to die--you know that!”
Charley’s delicate brows knit themselves together distressfully as he
slowly murmured, “Yes, evweybody. My papa is the biggest mans in this
town and he’s goin’ to die, the whole of him, only, only--” suddenly
his brow cleared and he hurried on--“only he and us allis jus’ goin’ to
die som’time, not a ’xac’ly day to know about. Are you goin’ to die in
free weeks? Please don’t!”
Instead of answering directly, he turned to me with, “What’s the
matter, little lass? Why don’t you speak; are you sick, child?”
I thought of the lightning and the knife, and truly I was sick, but I
could not speak; I only slipped my hand through one of the openings in
the door and clung silently to a bar. Charley turned and looked at me,
and said in his important, little way: “I dess she’s got the aches in
her head ag’in! But please, Mr. No. 3, what’s a-goin’ to be the matter
wiv you, if you are goin’ to die?”
And then No. 3 laughed a laugh that made me cold, and said, “Well, your
father and some of his friends think I am going to die of a throat
trouble, but I’ll bet five dollars they are mistaken!” and then again
he spoke quietly to me: “What is it, child; why are you so pale?”
Public-domain text, read in full here on John Shaqi.
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