Short stories, American; United States -- Social life and customs -- 19th century -- Fiction
Two small tables, a bureau, a few chairs, all of the commonest, and a
small corner cupboard, completed the furniture of this odd room. Oh,
yes; I must not omit the screen, then a very unusual object, a tall,
narrow, three-panelled screen, which played an important part in its
owner’s daily life. And the fire! Thank Heaven, I thought, for one
thing, that did not look cold. I think there was about one scant quart
of fire, and, as I threw off my shawl, I started to put on some coal,
when suddenly I remembered that injunction, ‘You girl! don’t touch the
fire!’ and I stayed my hand, but when I looked into the box and saw
there just four pieces of coal, and so suspiciously exact in size one
to the other, and leaning at the end of the box a hammer, my heart
melted with pity; I began to understand. With a sigh I left the fire,
precious but inadequate, and turned to study the painted pair. The
boy, swarthy, smiling, happy, won your love at once; but the girl’s
blonde, young arrogance slightly repelled. The portrait, considered
as a picture, was quite lovely. The dainty figure, in the soft,
yellowish-pink gown, stood out well from the olives and dull greens of
the brocaded curtain behind her. On the table lay her great hat, while
just slipping from her shoulder was the black velvet pelisse which,
by contrast, brought out so beautifully the milky whiteness of her
childish neck. The features, the lift of the head, the thin, slightly
shrewish, delicate lips were all wonderfully like Mrs. Worden. But the
color scheme was wrong. This handsome, overbearing child was blonde
as she could be, while the boy, with but one feature of her face, her
piercing eyes, was surely darker than she had ever been. So while I
stood before the girl and thought how clever had been the artist, who
had painted the boy with his hand upon his dog’s head--while in the
girl’s hand he had placed a broken necklace--in these bits of detail, I
thought he has given his idea of their character, and just then I heard
Mrs. Worden approaching.
Like many people who live much alone, she had the habit of talking to
herself--she was talking then. I heard her say, “That’s fifteen years
ago, you fool! yes, all of that. Now, what the devil did I do it for?”
I felt quite certain she was referring to the invitation she had
given to me, and I shook with laughter. When she opened the door, her
eyes were snapping viciously and her brows were brought together in an
inky frown; only her hair was white, her brows were black as they had
ever been, but when she saw me standing, my hands behind me, evidently
studying the portrait, the frown unknit itself, her eyes softened,
and when I asked: “Who are they, the handsome girl and the laughing,
little man?” she answered proudly: “They are my treasures, my man-child
Philip, and my Edith, gift-of-God; because of whom I have not cursed
Him long ago and died.”
Public-domain text, read in full here on John Shaqi.
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