Domestic fiction; England -- Fiction; Fathers and daughters -- Fiction; Guardian and ward -- Fiction; Love stories
But the obscurity of Mrs. Inchbald’s career has not, of course, been
the only reason for the neglect of her work. The merits of _A Simple
Story_ are of a kind peculiarly calculated to escape the notice of a
generation of readers brought up on the fiction of the nineteenth
century. That fiction, infinitely various as it is, possesses at least
one characteristic common to the whole of it—a breadth of outlook upon
life, which can be paralleled by no other body of literature in the
world save that of the Elizabethans. But the comprehensiveness of view
shared by Dickens and Tolstoy, by Balzac and George Eliot, finds no
place in Mrs. Inchbald’s work. Compared with _A Simple Story_ even the
narrow canvases of Jane Austen seem spacious pictures of diversified
life. Mrs. Inchbald’s novel is not concerned with the world at large,
or with any section of society, hardly even with the family; its
subject is a group of two or three individuals whose interaction forms
the whole business of the book. There is no local colour in it, no
complexity of detail nor violence of contrast; the atmosphere is vague
and neutral, the action passes among ill-defined sitting-rooms, and the
most poignant scene in the story takes place upon a staircase which has
never been described. Thus the reader of modern novels is inevitably
struck, in _A Simple Story_, by a sense of emptiness and thinness,
which may well blind him to high intrinsic merits. The spirit of the
eighteenth century is certainly present in the book, but it is the
eighteenth century of France rather than of England. Mrs. Inchbald no
doubt owed much to Richardson; her view of life is the indoor
sentimental view of the great author of _Clarissa_; but her treatment
of it has very little in common with his method of microscopic analysis
and vast accumulation. If she belongs to any school, it is among the
followers of the French classical tradition that she must be placed. _A
Simple Story_ is, in its small way, a descendant of the Tragedies of
Racine; and Miss Milner may claim relationship with Madame de Clèves.
Public-domain text, read in full here on John Shaqi.
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