Of course her old friend called upon her for an account of the hours
which had elapsed during her prolonged absence. And Paolina, in reply to
this demand, gave a very intelligible account of the time. But
unfortunately, most unfortunately, as the sequel showed it to be, this
account rested solely on her own statement. Of course old Orsola saw not
the smallest reason for doubting any part of it. And the explanations
which she gave of her movements, and of the motives which led to them,
embodied in the following statement of what happened from the time when
she left the church to the time when she re-entered the city, are the
result of her subsequent declarations, when called upon to account for
her occupation of those hours.
The aged Capucine friar had, as we know, watched her take the path that
led to the farmhouse on the border of the wood. And having looked after
her as long as she was in his sight, he sighed heavily, and, turning
away, went back to his prayers in the church. But had he been able to
watch her on her way a few minutes longer, he would, if the girl's own
account of her movements were correct, have seen her change the
direction of her walk.
About half-way between the eastern end of the church, by which the path
the friar had indicated to Paolina passed, and the farmhouse on the
border of the forest, another path, skirting what had once apparently
been the cemetery attached to the church, turned off at right angles to
the left, so as, after some distance, to rejoin the road on its way
towards the city. And this path, according to her own account, Paolina
took; thus abandoning her intention of reaching the forest at the spot
where the farmhouse stood. Why had she thus changed her purpose?
Various thoughts and feelings, which had presented themselves to her in
the space of the minute or two she had occupied in walking round to the
eastern end of the church, had contributed to produce this change in her
purpose.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account